Hagiel’s very first memory is a dance. She was a little girl wrapped in her mother’s arms, swaying around the living room to whatever happened to be spinning on the radio or the record player. That moment sparked a lifelong love affair with music. It reaches its fullest expression yet with ‘I Am Enough of a Woman,’ the Montreal singer’s debut EP, led by the soaring new single “Fight for Your Life.”

I Am Enough of a Woman – Hagiel 

Stream Full Album Below

Born in a small French village near Quebec City and now based in Montreal, the Black Canadian artist, also known as Analoga, blends blues, rock and gospel with her Caribbean and African roots and a generous dose of French-Canadian flair. Across six songs, she sings about survival, faith, heartbreak, and freedom with a voice shaped by years in one of Montreal’s most celebrated gospel choirs.

“Fight for Your Life,” cowritten and produced by award winning songwriter Mark Zubek, comes from the hardest stretch of her life.

“The single ‘Fight For Your Life’ was written after I was exhausted by all the hospital stays and literally Fighting for the life I wanted and the truth after having a physical sickness, violence and always being considered a mental case also,” Hagiel says. “I just wanted my freedom and to heal. I have been forced to stop all my projects many times, like music, video, film and acting so many times. I just found it unfair.”

The song turns that exhaustion into a rallying cry. “Fight for your life, the struggle is real,” she sings, before landing on one of the EP’s most hopeful lines: “And no, my dreams were never put on hold / They were only put on pause for a while.”

The title track goes back even further to the end of a toxic relationship.

“I wrote ‘I Am Enough Of A Woman’ following the end of a toxic relationship in 2003. I don’t want any more violence in my life,” she says. “As I looked ahead as usual, I wrote down at different hours of day, different places even in hostels, many lyrics through thick and thin saying what was left of me. Trying to get my life back.”

The project almost carried a different name, until a songwriting teacher heard something special in one line.

“The album and song ‘I Am Enough of a Woman,’ almost was named ‘What’s Left of Me,’ until my songwriter teacher Marc Belanger that taught at the Prochant school in Montreal that existed back in the day,” Hagiel recalls. “I took private songwriting lessons with him. He told me I just needed a few courses, and he said I am Enough of a woman mentioned in my song What’s left of me was so powerful. I decided to call the project that.”

Bélanger also nudged her toward an English songwriting mentor, and a simple online ad led her to Zubek, whose résumé includes work with Grammy winner Betty Carter and Crash Test Dummies.

“He said I should find someone that writes in English to judge my songwriting,” she says. “I posted an ad on craigslist looking for someone to review my grant application. Mark Zubek replied to my ad and offered his services as a producer. I sent him my material, and he thought I had potential. I got refused a few times for grants. Then eventually I got chosen with Mark Zubek’s help and guidance.”

Finding the right players to bring out the blues and gospel in her songs took time, and another ad.

“After working with many musicians that were directing me away from what I wanted to do. Some songs are really bluesy, and some others were meant to be more gospel, but for my next recording I know who to include to achieve that blues / gospel sound,” Hagiel says. “I posted an ad on a blues website NetBlues that is now not active. I found Pascal Gaudreau and he helped me push the song ‘I Am Enough Of A Woman’ and ‘Survivors’ further. I had the melody and a rough acoustic track recorded on my phone from a session that I did with Marc Belanger. He told me I don’t need to credit him, but I feel the need to mention him because he helped me believe in my songs and dreams.

Gaudreau arranged both of those songs and played guitar and bass, with Mike Deschambeault on drums. “Survivors” has been with Hagiel a long time. Its demo took third place in Montreal’s YES Artistic Project Plan Contest back in 2010, and its chorus may be the EP’s thesis: “Survivors don’t need no medals / Just one last lap of struggles.”

Faith runs through the record too. The gospel stomper “Praise Your Way Out” was born in a hospital room.

“I wrote ‘Praise Your Way Out’ when I was in the hospital after listening to Dr. Juanita Bynum’s testimony before the song, I don’t mind waiting on YouTube many times,” she says. “I could relate…”

That song, featuring backing vocals from Hagiel, Robert Peace and Zubek, made the semi-finals of the 2024 Unsigned Only competition in the Christian category. It also reached the semi-finals of the 2020 International Songwriting Competition alongside “Turned Around Me,” a groove-filled love story about a red-headed “grooveman” who “could cast a spell on my mind.” That year’s judging panel included Coldplay and Tom Waits. “Turned Around Me” went on to the semi-finals of the 2023 Music in Motion Canada Awards. Rounding out the EP, “Born to Rock Like No Morrison,” cowritten with composer Vincent Xavier St-Laurent, was inspired by a childhood photo of Montreal rocker Jonas listening to music on his earphones.

Hagiel has been performing professionally since 2009 and calls her years with the People’s Gospel Choir of Montreal transformative. Along with fellow choir members, she sang backing vocals on Nadja’s Christmas album. At the Bell Centre she added vocals to a song for Joey McIntyre of New Kids on the Block, and in the summer of 2014, Gregory Charles picked her as a choir singer for several Mondial Loto-Québec shows. In 2012, she was one of just 140 singers chosen from more than 5,000 hopefuls for the blind auditions of La Voix.

“I am concentrating on music because it has always been natural, less harsh as a process. I often sing instinctively. It is a visceral need,” she says. “I have several mentors in the music industry. I was chosen to do vocals on an inspiring song at the Bell Center for Joey Mcyntyre from the New Kids on the Block which has opened my eyes to my first passion and the opportunities that await us when we have a dream.”

She keeps a favourite line from the film Mademoiselle C close to her heart: “You are the artist of your own life.” With ‘I Am Enough of a Woman,’ Hagiel is living those words and carrying that little girl from the living room all the way to the microphone.

“My father has always said that my life is traced to my mother,” she says. “So not to worry!”

Born and raised in Beckenham, South East London, Lucy Gray is an acoustic singer-songwriter whose music draws on indie, country and contemporary Christian influences. A self-described “beachbum in the city”, Lucy has always felt caught somewhere between two worlds. Her life and work are rooted in London, where she gigs and busks across the city, but some of her strongest ties are to Devon and Cornwall, where her parents are from and where she spent much of her childhood. In particular, Polzeath in North Cornwall has remained a constant throughout her life.

By The Water – Lucy Gray

Stream Full Album Below

Music was something Lucy had wanted to pursue for as long as she can remember, but it wasn’t until her thirties that she finally decided to go for it. After a difficult period in her life, she began busking, initially without telling anyone she knew. It became a way to build her confidence as a performer and gradually created a community around her music, eventually leading to regular gigs, venue bookings and the decision to finally release music of her own. Her attitude now is simple, “Do it for when you’re 80.” As she puts it, “I’d kick myself if I got old and didn’t do what I always wanted to do.”

Her debut EP, By The Water, is a reflection of Lucy’s coastal side, drawing heavily on Cornwall, coastal wilderness, solo road trips and her own experiences of heartbreak, mental health, ADHD and faith. Connecting its four tracks is a wider idea of finding peace with where you are in life. It is about recognising that you are not behind or ahead, that your route does not have to look like anybody else’s, and that there can be contentment in being alone as much as there can be in sharing life with someone else. It is a message Lucy admits she is preaching to herself just as much as anyone listening.

“Golden Days” began as a poem written during a rare moment when Lucy, who has struggled with her mental health in the past, simply felt ok. What started as an acknowledgement of that fleeting feeling grew into an upbeat, beachy song that Lucy imagines playing in the background as friends and family gather together at sundown. The track is a reminder to appreciate the simple moments when life feels good and allow yourself to be present in them.

“Good To Go” captures the independence and freedom of travelling alone. Written with solo wanderers in mind, it reflects being open to love and companionship but equally content to keep adventuring independently until the right person comes along, if they ever do.

“Different Road” grew from Lucy’s experience of feeling out of step with those around her and, following her ADHD diagnosis, beginning to understand why her life had taken a different shape. At its centre is the realisation that taking another route does not mean you are lost, you can simply be on a different road to everyone else and still be heading in the right direction.

Closing the EP is its title track, “By The Water”, inspired by a bench in Cornwall that Lucy has returned to several times a year since childhood and which appears on the EP artwork. It is the place where she feels everything slow down, the world goes quiet and she feels closest to God. Written in a single afternoon, the song turns Lucy’s favourite place in the world into the emotional and spiritual centre of the record.

By The Water was brought to life with the help of producer and musician Aylwin Steele at The Tape Shed, while “Golden Days” and “Good To Go” were co-written with Jon Kensington at his home studio. Alongside her original music, she has built a busy career as a live performer, including residencies at The Ivy Café Wimbledon and a local private members’ club, and repeat bookings at venues across London, Maidstone and Brighton. She regularly busks on London’s South Bank beneath the London Eye and at stations including Waterloo, London Bridge and Charing Cross through the Mayor of London’s Busk in London scheme, as well as volunteering her music at her local Living Well Foodbank when she can.

For Lucy, By The Water is ultimately about accepting the road that brought you here and finding contentment in where you are now. It gives a voice to the coastal side of an artist who still has a foot firmly planted in both of her worlds, somewhere between city and sea.

A No. 1 record can create momentum. It can also create expectations.

For Sean Rodriguez, the success of “It Is Finished” featuring Disciple could have provided an obvious blueprint for what came next. The song’s collision of rock and rap-influenced vocals connected powerfully at Christian rock radio, spending 10 non-consecutive weeks at No. 1 on Christian Music Weekly’s Rock chart. It remained in the Top 5 for 18 consecutive weeks, the Top 10 for 23 and the Top 20 for 32.

Instead of trying to recreate it, Rodriguez used the momentum to show listeners another side of his music.

That progression comes into sharper focus with the September 25 release of the Just Like God EP through WieRok Records.

Just Like God – Sean Rodriguez

Stream Full Album Below

The three-track project surrounds Rodriguez’s January single “Just Like God” with two previously unreleased songs, “God Is On My Side” and “The Day He Made.” All three reflect a more accessible Christian AC and contemporary Christian direction that has increasingly become central to Rodriguez’s music.

That direction first became apparent when “Just Like God” arrived January 23.

Co-written and produced with GRAMMY and Dove Award-winning producer Seth Mosley and mixed by Michael “X” O’Connor, the song was notably different from the harder sound many listeners associated with Rodriguez following “It Is Finished.”

The distinction was intentional.

Rodriguez and his team launched an extended Christian AC radio campaign behind the single, introducing him to programmers outside the rock format. Approximately six months later, “Just Like God” had earned rotation on 20 stations nationwide and peaked at No. 51 on Mediabase.

Rather than move immediately to an unrelated release, the new EP builds directly upon that foundation.

Its focus track, “God Is On My Side,” takes a simple declaration and surrounds it with circumstances that make the declaration matter.

There are hills too big to climb. Waves continue rising. Lions wait. Goliath stands in the way.

Rodriguez’s answer is not that those obstacles are imaginary or insignificant.

He smiles.

“And when they ask why I’ll say / God is on my side.”

The song draws on recognizable biblical imagery while keeping its application firmly in the present. Its confidence is not rooted in the idea that believers are strong enough to handle everything placed in front of them. Instead, it points repeatedly toward the character of God.

“Who spoke the storms to peace? / Who has the healing hand?” Rodriguez asks.

Later, the perspective turns outward: “What’s your mountain? / Watch Him move it / What’s your challenge? / Watch Him use it.”

Long before its September release, that message was being tested in the environment for which it seems naturally suited: a live audience.

“God Is On My Side” became a set-list staple throughout Rodriguez’s extensive 2026 touring season and developed into a crowd favorite at Christian festivals around the country.

The EP’s other new track has an even more established role in those shows.

“The Day He Made” has opened them.

Inspired by Psalm 118:24, the song begins with the realization that waking up to another day is itself something worth celebrating.

“I woke up to forgiveness / A breath of brand new life,” Rodriguez sings.

The song’s origin traces back to a Christian music festival where Rodriguez performed in front of more than 15,000 people. Afterward, he began reflecting on the journey that had brought him to that moment and on the stories of God’s faithfulness he heard from others that day.

Rather than becoming a song about career achievement, the experience led Rodriguez toward gratitude.

“The Day He Made” treats redemption as a victory rather than a source of shame. Yesterday contains lessons. Tomorrow requires faith. Today represents another opportunity to live in the grace already received.

That perspective has made the track a fitting way for Rodriguez to begin his live performances throughout 2026.

Both new songs reunite Rodriguez with Mosley as co-writer and producer and O’Connor as mixer, continuing the creative team established on “Just Like God.”

There is also a notable reversal in how these songs have reached listeners.

Normally, a song is written, recorded and released before an artist discovers whether it works live.

For much of Just Like God, the live audience came first.

Festival crowds have already heard “The Day He Made” open the show. They have already responded to “God Is On My Side.” The September 25 release now gives those songs a permanent recorded home.

That road-testing occurred during Rodriguez’s most expansive touring season yet.

His touring footprint has grown steadily across 2024, 2025 and 2026, with this year bringing his greatest number of headline-stage appearances at major Christian music festivals.

His profile within the wider Christian music industry has also grown. Rodriguez appeared at NRB in both 2025 and 2026 and performed at CMB Momentum this year as the “Just Like God” campaign continued introducing him to Christian radio.

Immediately ahead of the EP release, Rodriguez extended that radio outreach internationally with a two-week promotional tour in Australia.

Viewed together, those developments make Just Like God something more useful than a stylistic pivot.

It helps fill in the picture.

“It Is Finished” remains an important part of Rodriguez’s identity and an undeniable part of his recent breakthrough. It showed how naturally his energetic performance style and rap-influenced delivery could work within Christian rock.

But Rodriguez’s ambitions were never limited to reproducing that one sound.

“Just Like God” opened a door into Christian AC. “The Day He Made” demonstrates the joyful, accessible side of his songwriting. “God Is On My Side” combines that accessibility with the kind of bold declaration that has always suited Rodriguez onstage.

There is a throughline connecting all of them: conviction.

The production may change. The radio format may change. But Rodriguez remains most recognizable when the song gives him something he can say without reservation.

On Just Like God, that conviction is distilled into three straightforward ideas: God remains faithful, another day is worth celebrating, and an impossible circumstance does not get the final word.

After several years of increasingly larger stages and wider radio exposure, Rodriguez is not narrowing his identity around the sound that first broke through.

He is widening it.

A winding road through career and personal highs, lows and everything in between has carried songwriter and dynamic vocalist Rachel Purcell back home creatively. The Muscle Shoals, AL native offers listeners hope on her Keep Going EP.

Keep Going – Rachel Purcell

Stream Full Album Below

The new music follows a devastating miscarriage and medical emergency that nearly took Purcell’s life. Holding on to her faith while finding support through therapy and from others, she began a journey of healing and eventually rebuilt her physical strength. In fact, she wrote the upbeat title track to the EP in the middle of training for a 10K run that she recently completed.

“When I think of the past two years of my life, the message to myself was always ‘Keep Going’,” remembers Purcell. “In this day and age, the world can feel really lonely, but this body of work says, ‘You’re not alone.’ My prayer is that these songs will meet you right where you’re at and lift you up.”

Along with “Keep Going,” the EP’s “You Love Me The Best” came from an impromptu writing session Purcell shared with Blessing Offor.

“I had always wanted to bring a Muscle Shoals sound to what I’m doing,” shares Purcell. “The song with Blessing was the catalyst. I grew up about two minutes away from FAME Studios. I love Gladys Knight & The Pips, Otis Redding and Aretha Franklin, as well as newer artists like RAYE. I’m a sucker for horns and doo-wop background vocals! We were finally able to bring this style to Christian music.”

Purcell’s EP opener “(Can’t) Trust You” relays God’s trustworthiness in a swell of big movie-screen-worthy strings and shimmering piano while her powerful EP finale, “Who I Belong To,” shares her testimony as she sings, “I belong to a perfect father who tells me that I’m not alone. I belong to a risen Savior whose love will never let me go.”

“When I step behind a microphone,” says Lauren Talley, “my most important job is to help the listener encounter the presence of God.” The singer set out to do just that on her new collection for Horizon Records, and Walls (Part One) more than meets the challenge, enlarging her musical palette to offer listeners more ways than ever to feel their connection to Him.

Walls (Part One) – Lauren Talley

Stream Full Album Below

Working with acclaimed producer Jason Webb, Talley blends inspirational, worship and CCM elements with the strains of Southern Gospel to create uniquely compelling accounts of God’s grace. “In Walls (Part One),” she notes, “we can feel Him in the rhythm and soul of ‘Walls,’ and in the high energy of ‘So So Good.’ He shows up in the vulnerability of ‘Mercy’ and ‘Little Faith,’ and we can give Him all of our worship in the awe-inspiring lyrics of ‘Look At The Lamb.'”

The greater breadth of arrangements allow for Talley’s emotive power to range more freely, from the intimate moments that open “Little Faith” and “Mercy” to the boldly voiced testimonies of “Walls” and “So So Good,” to the full throated power that’s reached in the closing moments of her own “Look at the Lamb.” And as the music of Walls (Part One) varies, so, too do the songs’ lyrics reflect multiple moods and imagery — yet even so, it’s easy to perceive the twin elements of God’s power and God’s grace that underlie them:

He ain’t never met a wall
That He couldn’t tear down
Watch it crumbling to the ground
He ain’t never met a wall
That He couldn’t break through
Oh, just watch what He’s gonna do
(Walls)
Now I’m alive to tell the story
How I’ve overcome
It’s His goodness and mercy
And the power of His blood
I’m so glad that my freedom
Wasn’t based on what I’ve done
It’s His goodness and mercy
And the power of His blood
(Mercy)

As he barrels towards the release of his next full collection of songs, Christian rock mainstay Matt Moore is back with “Learning to Breathe,” a song that he calls “the emotional heartbeat of the album.”

With an all-star cast production cast that included Josiah Prince of Disciple (cowriter), Lester Estelle of Pillar (drums), Dane Allen of Disciple (backing vocals), Nick Radovanovic (mixing) and Sam Moses (mastering), “Learning to Breathe” is truly a breath of fresh air to anyone who listens.

Learning to Breathe – Matt Moore

Stream Full Album Below

“‘Learning To Breathe’ is a defiant statement about refusing to stay down after repeatedly having the wind knocked out of you,” Matt Moore explains. “The lyric, ‘If I am bleeding, this heart is still beating,’ became one of the central ideas that shaped the rest of the album.”

It’s a message that is sure to resonate with any listeners going through similar life challenges — whether it’s internal battles with mental health or external battles with endless circumstances outside of your control.

Matt continues, “I think in those moments, it’s so important to cling to any signs of life you can find, any indication that there’s hope in the middle of this and that things are going to get better. If you woke up again today, God’s not done writing your story. You’re still in the fight, there’s still a reason to hold on, and there is still hope.”

That message is a beautifully redemptive follow-up to recently released “Burn it to the Ground (feat Nick Detty),” Moore’s first single from this new set of songs. Where “Burn it to the Ground” focused on relational hardship and rebirth through forgiveness, “Learning to Breathe” offers a place to ground through those hardships. It continues a tradition Matt Moore has established through songs like “Darker Waters,” “Tether” and “Broken Pieces,” showing up alongside listeners when they need it the most.

Matt concludes, “It’s really my hope that this will connect with people who also feel like they’ve just been knocked down by life. A reminder that first, you’re not alone. This season doesn’t last forever. It does get better. And second, there is still beauty in the brokenness. There is still hope in the devastation. And sometimes signs of life look like big, loud indications; sometimes it’s just a gentle pulse when everything else seems dark.”

For many, this song may be that gentle pulse.

“Learning to Breathe” is streaming everywhere now, as is “Burn it to the Ground,” which is currently making inroads at Christian rock radio.

Trent Harmon deepens his journey into Christian music with the release of his second project, Give Me Jesus – a soul-stirring collection that reflects both his heart for worship and the faith that grounds him.

After winning American Idol, Harmon quickly rose in the country music scene, landing a record deal, touring with Rascal Flatts and Dan + Shay, and scoring a hit with his debut single, “There’s A Girl.” Yet, even amid commercial success, he felt a steady pull back to the church roots where his voice first found purpose and power. This new project follows Scars & Sins, Trent Harmon’s first Christian EP, which marked his initial step into faith-driven music and set the stage for his continued journey in worship.

The latest 5-track EP opens with “Randy Harmon,” a stirring sermon from Trent’s father that sets the tone with a powerful message on the importance of prayer. It leads into “Right On Track,” a heartfelt testimony of encountering Jesus and discovering divine purpose through His love. The momentum continues with “I Love It Here,” a worshipful expression of longing to dwell in God’s presence.

Also featured is a moving cover of U2’s “I Still Haven’t Found What I’m Looking For,” which captures the restless yearning of the soul – a spiritual journey marked by desire, doubt, and belief. The project closes with the title track, “Give Me Jesus,” putting his own spin on a classic hymn – a profound declaration of faith, reminding us that no matter what the world offers, nothing compares to the presence of Christ.

Give Me Jesus – Trent Harmon

Stream Full Album Below

“My first Christian EP opened a door I didn’t even realize I’d been waiting to walk through,” shares Trent Harmon. “With Give Me Jesus, I’m stepping fully into it  – and I can’t wait for everyone to hear where this journey has led.”

Earlier this year, the singer-songwriter hinted at this shift with a poignant social media post of a video he filmed after a “particularly great” show in 2018 that still left him feeling unfulfilled and with the overwhelming urge “to point a light towards heaven.” Life slowed down and priorities shifted after Trent Harmon got married in 2020 and welcomed his first child in 2023.

Through it all, worship kept calling him back, and Trent Harmon couldn’t shake the feeling that he was meant for something more. “I’ve reached thousands through Idol and touring, but every time I led worship, I felt fulfillment I never found on a country stage.”

Bibi Bello returns with a soul-stirring release titled “Gratitude,” a heartfelt expression of thanksgiving to God for His unfailing love and faithfulness.

With tender vocals and an atmosphere of pure worship, the song draws listeners into a place of reflection and adoration, reminding all to pause and acknowledge God’s goodness.

Speaking on the song, Bibi shares that “Gratitude is my altar of thanks, a song birthed from moments of deep reflection on how far God has brought me.”

The single is set to bless hearts with its simple yet profound message, resonating with Psalm 107:1 – “Give thanks to the Lord, for He is good; His love endures forever.”

This release is one track from her live recording project titled “Sound of Worship” (Live Recording and Worship Experience) — a Spirit-filled collection designed to lead believers into deep, intimate encounters with God through heartfelt praise and worship.

With “Gratitude,” Bibi Bello continues to affirm her place as a vessel of worship whose music inspires intimacy with God, leaving listeners with a renewed heart of thanksgiving.

Gratitude – Bibi Bello

Stream & Enjoy

PLATINUM-certified, GRAMMY-nominated artist and songwriter Anne Wilson continues to share her message of hope and healing with her new four-song EP, God Story, out now. Named after her soaring single, the project arrives as Wilson heads into her second weekend on the road opening stadiums for Morgan Wallen on his I’m The Problem Tour.

“The God Story EP marks the beginning of such a special new season of music for me,” Wilson shares. “These songs
are rooted in my story, in God’s faithfulness and in the hope He gives us in every moment. This is just the beginning.
There’s so much more ahead, and I can’t wait to share!”

Stream & Enjoy

The EP opens with title track, “God Story,” an inspirational anthem rooted in personal testimony. Her vocals soar in
“Til The Road Runs Out,” a powerful, all-in plea dedicated to living life to the fullest. “Devil Is Too” intertwines the
Kentucky native’s southern sass and bold faith. Closing the project with “Twenty Three,” she offers complete
vulnerability in this gut-wrenching tribute to anyone who has lost a loved one.

A co-writer on each track, God Story is Wilson’s first project release since her critically acclaimed sophomore album
REBEL, which earned praise from Billboard for “fully fusing the two genres” and was hailed by People as a
“trailblazing album​​.” The record became a defining moment in her burgeoning career, blending country and Christian influences with a bold, authentic voice that resonated with fans across both genres. Now, with God Story, Wilson
builds on that foundation – weaving together country grit with Christian conviction to deliver songs that are both
authentically her and universally uplifting.

Stream Full Album Below

Next up, Anne Wilson will be returning to her home state of Kentucky on August 11 for a special benefit concert at Corbin Arena to help raise funds for families and communities impacted by the deadly tornado that struck Eastern Kentucky this May. Tickets for the one-night-only event are on sale now.

Muscle Shoals, AL native, songwriter and dynamic vocalist Rachel Purcell releases her first, six-song Centricity Music EP, Mercy & Me, today (Aug. 1). Available at digital and streaming outlets globally, the EP features Purcell’s soulful pop debut, “Show Up,” the catchy, up-tempo “New Name” and sunny singalong “Have Church,” which is going for adds at Christian radio Sept. 26.

Stream & Enjoy

Mercy & Me – Rachel Purcell

With songs produced by Jeff Pardo (TobyMac, Katy Nichole), Andy Skib (Kenny Chesney, Brett Eldredge), Colby Wedgeworth (Jordan Feliz, Jeremy Camp), and Chuck Butler (Tauren Wells, India Arie), Mercy & Me captures Rachel Purcell’s passionate journey of creating music inspired by her real life experiences that are deeply rooted in her unwavering faith.

“Looking back at how I dove into writing all these songs, I realized how the theme of salvation is found in every lyric. This EP is a reflection on the miracle of salvation and the final track, ‘Mercy & Me,’ captures the beautiful moment Christ opened my eyes and filled me with belief, awe and repentance,” says Purcell. “I pray that wherever you are on your journey, God gives you exactly what you need from these songs.”