Acclaimed songwriter and trumpeter Jumbo Aniebiet is thrilled to announce the release of his highly anticipated single, “Odogwu,” from the upcoming Pages project. This dynamic collaboration features internationally renowned Gospel artist Nosa and the euphonic vocals of DC-based worship leader Sergine Quenum.

“Odogwu” is a vibrant anthem celebrating Christ’s victory on the cross and God’s unshakable love. Inspired by Isaiah 42:13 and rooted in the Igbo word meaning “warrior” or “royalty,” the song delivers uplifting lyrics, powerful harmonies, triumphant trumpet solos, and grand band arrangements that ignite joy and faith.

Jumbo shares his excitement for the release, emphasizing that the word “Odogwu”—which describes a King, a strong man, a hero, or a champion—is a fitting tribute to the King of Kings for all He has done, is doing, and will do.

Odogwu – Jumbo Aniebiet Ft. Nosa & Sergine Quenum

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Jumbo recently completed the first edition of the Levites Music Masterclass, which featured Grammy-winning songwriter Ryan Ofei of Maverick City Music. He has several exciting music projects lined up for 2025, including:

• An Afrobeat EP
• A live recording
• The 11th edition of the We Will Worship annual outreach festival
• The Summer edition of the Levites Music Masterclass

Gospel music lovers and Afro-fusion enthusiasts are in for a treat as Efosa Odaro, popularly known as Deacon Efosa, has released his highly anticipated debut single, “Super Power” (also known as “Power Pass Power”). This dynamic Afro-fusion gospel track, infused with Amapiano elements, is set to redefine the sound of contemporary gospel music and introduce a fresh voice to the scene.

Deacon Efosa is not your typical gospel artist. His music bridges the gap between vibrant African sounds and spiritual inspiration, delivering a message of hope and empowerment while maintaining a unique, genre-blending style.

Efosa’s musical journey began in 2002 when he recorded his first song as an amateur in Badagry. Influenced by reggae and calypso music from a young age, his earliest inspiration came from his uncle, who had a talent for rewriting lyrics to existing songs. Efosa followed in his uncle’s footsteps while at Federal Government College, reimagining popular songs with new lyrics and performing at school events. He was heavily influenced by artists like Tupac and initially focused on secular music.

His passion for songwriting eventually led to his first recorded track, sponsored by his aunt, marking the official start of his music career. While studying at the University of Port Harcourt, Efosa and his friend J Money formed a group called Big Boys, releasing an album titled That Kind Thing. However, the project failed to gain traction due to technical challenges with its production, leading Efosa to step away from music in 2013.

During his hiatus from music, Efosa remained devoted to his faith and was ordained as a deacon in Christ Embassy, a ministry he has been part of since his teenage years. Between 2013 and 2022, he focused on serving God, but in 2024, everything changed. Efosa received a divine message calling him back to music—not for fame, but to glorify God and spread the gospel through his songs.

In December 2024, Efosa recorded a collection of gospel tracks, with Super Power being one of the standout songs. Inspired by the extraordinary authority and miraculous power in the name of Jesus, Super Power reflects the transformation, healing, and victories experienced through faith. A key influence behind the song is Pastor Chris Oyakhilome’s quarterly programs, where he demonstrates the power of the Holy Spirit in action.

With its captivating Afro-fusion sound and infectious Amapiano groove, Super Power is a celebration of God’s power and the authority believers have in the name of Jesus. It’s a song that will get listeners dancing while reminding them of God’s ability to perform miracles—opening blind eyes, raising the dead, and transforming lives.

Super Power – Deacon Efosa

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Every so often, a song comes along that doesn’t just play in your ears—it settles into your bones, like a memory you never knew you had. Alex Krawczyk’s latest single, A Song for You, is one of those rare tunes. It arrives not with a bang, but with a gentle embrace, a warm cup of tea on a cold morning, an echo of classic folk storytellers—Joni, Judy, even a whisper of Leonard Cohen’s poetic touch.

Krawczyk, a rising voice in the folk-pop world, has made a name for herself with soul-stirring melodies and lyrics that heal as much as they haunt. Her 2022 debut Le Olam turned heads, but A Song for You feels more personal, more intimate.

Produced by Robbie Roth, the track is a love letter—literally. The song’s central premise is a playful contradiction: writing a song for someone who asked not to be celebrated, yet doing so anyway because love, real love, demands to be sung.

Alex Krawczyk’s “A Song for You”: A Folk Hymn of Love and Healing

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The production is as unassuming as it is effective—fingerpicked guitar, hushed percussion, and Krawczyk’s voice, a soothing balm that carries just enough ache to make you lean in closer. Lyrically, she weaves a dreamscape, conjuring images of home, the Pacific Ocean, and the healing power of music itself. Lines like “Thank you for bringing back the music, you’re proof that love can prevail” aren’t just lyrics; they’re affirmations, quiet revelations wrapped in melody.

What sets Krawczyk apart in an era of overproduced, algorithm-chasing folk-pop is her sincerity. She’s not here for viral hooks or flash-in-the-pan success—she’s here to connect. And with A Song for You, she does just that. It’s a song for a friend, a lover, a memory, or perhaps even for the listener themselves.

In the great tradition of folk music, Alex Krawczyk reminds us that songs don’t need to shout to be heard. Sometimes, a whisper carries the deepest truth.

–Tom Lange 

Riding high on the momentum of his previous UK hit, “The Day That I Found You,” Zach McKenzie returns with “Don’t Dish It Out if You Can’t Take It,” a fiery breakup anthem that melds raw country storytelling with a soul-stirring, resilient spirit. Clocking in as a defiant declaration of emotional independence, the single stands out as a refreshing twist on the traditional heartache narrative.

From the very first verse, McKenzie commands attention with sharp, vivid imagery—“I saw red when I heard the news”—setting the stage for a tale of sudden betrayal and swift self-empowerment.

The track’s narrative pivots quickly from devastation to determination, as he chooses to “pack up and leave,” refusing to linger in sorrow. This decisive move is mirrored in the upbeat, infectious melody that drives the song, encapsulating both pain and liberation.

The chorus is a high point, with McKenzie deftly blending catchy hooks and clever wordplay. Lines like “Cupid doesn’t work on a time frame” highlight his knack for turning personal heartbreak into anthemic defiance. The rallying cry, “if you’re mad because, without you, I’m gonna make it,” not only underscores the resilience at the heart of the track but also resonates as a universal call to those who’ve ever reclaimed their strength after a breakup.

Musically, the single is a rich tapestry of country twang, soulful grit, and gospel-inflected harmonies. McKenzie’s signature vocal style shines through—imbued with honest vulnerability yet buoyed by a determined energy that invites listeners to celebrate their own newfound freedom. The production is clean and vibrant, ensuring that every strum of the guitar and every beat of the drum propels the message forward with anthemic charm.

Lyrically, McKenzie continues to solidify his reputation as a storyteller who isn’t afraid to bare his soul. In the playful second verse, the twist of stumbling into new love only two weeks after heartbreak adds a touch of serendipity and humor, proving that sometimes the best way out of the darkness is to dive headfirst into the light.

Overall, “Don’t Dish It Out if You Can’t Take It” is more than just a breakup song—it’s a celebration of reclaiming one’s power and the promise of new beginnings. With its compelling narrative, infectious energy, and genre-blending production, McKenzie not only reaffirms his rising star status but also delivers a track that will undoubtedly resonate with anyone who’s ever had to turn heartbreak into a stepping stone towards something better.

For fans of smart, soulful country music with an edge, Zach McKenzie’s latest single is a must-listen—one that boldly reminds us to stand our ground and love life, even when it leaves us picking up the pieces.

Pete Dupree`

Gary Pratt delivers an emotional gut punch with Before Someone Gets Hurt, a song that lands somewhere between hard-earned wisdom and aching regret. From the opening lines, the Pittsburgh native wears his heart on his sleeve, navigating the all-too-familiar moment when love turns into a losing battle.

The production leans into modern country sensibilities—clean, radio-ready, and tinged with just enough steel to keep things rooted in tradition. Pratt’s vocal is earnest and unflinching, carrying the weight of the song’s dilemma: “Believe me, I’d change if I could… But I gotta stop this before someone gets hurt.” His delivery is raw, yet controlled, underscoring the painful realization that sometimes love isn’t enough.

The melody has a contemporary, mid-tempo flow that recalls the best of Nashville’s heartbreak anthems, while the lyrics bring depth beyond the typical breakup song. There’s a refreshing self-awareness in the writing—this isn’t about blame, but rather the painful responsibility of knowing when to walk away.

Pratt’s continued success—half a million Spotify streams and counting—proves that his brand of emotional storytelling resonates with listeners. Before Someone Gets Hurt is another solid entry in his growing catalog, reinforcing why he remains an independent artist worth watching.

–Bob Allmann

Get ready to experience an encounter and the power of God through the latest single “God Eternal” from Victoria Israel featuring Abbey Ojomu.

Inspired by Revelation 1:8 (NLT), this soul-stirring song reveals God as the Almighty One who reigns eternal, holding all power in the heavens, on earth, and below. This powerful declaration of God’s sovereignty is sure to ignite a deeper passion for worship and intimacy with the Divine.

“I pray that this song will usher listeners into a greater revelation of God’s eternal nature and majesty,” says Victoria Israel. “May hearts be transformed, and spirits lifted as we declare the timeless truth of God’s omnipotence.”

God Eternal – Victoria Israel Ft. Abbey Ojomu

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Renowned gospel artist Paul Oluikpe has made a triumphant return with his latest music video, “Join Me Sing Hallelujah,” a vibrant visual masterpiece that continues his legacy of creating spiritually enriching music.

Directed by Justice DH Films and produced under Piano Records, this release is more than a song—it’s a global invitation to celebrate God’s unfailing love and mercy.

Paul Oluikpe has long been celebrated for his ability to craft music that transcends cultural and generational barriers. With “Join Me Sing Hallelujah,” he delivers a stirring reminder of God’s preservation and benevolence toward humanity and all creation. The video’s breathtaking visuals—featuring sweeping landscapes, diverse worshippers, and intimate moments of devotion—reflect the song’s core message: true gratitude fuels authentic worship.

Join Me Sing Hallelujah – Paul Oluikpe

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Earnest Pugh is a singer, songwriter,  best selling-author, and Emmy Award Winning actor who over the last 2 decades delivered 13 CDs projects that included 4 chart-topping radio hits such as: “Rain On Us” “I Need Your Glory” “God Wants To Heal You” and “Thank You So Much.” His latest single, “Don’t Give Up” was the featured single on two projects in 2024: The chart-topping R& B “Love Mountain” movie soundtrack as well as Pugh’s 12th CD Project, “Worthy Is The Lamb.”

According to Pugh, “I was inspired to write the song after I reviewed the “Love Mountain” movie script and became acquainted with my role (Elliot) as the father of 4 children who were navigating challenging relationships. As a family, our main kitchen-table discussion centered around navigating life’s ups and downs with an understanding that giving up is not an option.”

Earnest Pugh Enters Top 10 With “Don’t Give Up”

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Kerry Douglas, Executive Producer and CEO of Blacksmoke Music Worldwide who has been responsible for Pugh’s career for nearly 20 years stated, “I initially enlisted Earnest as an actor in the “Love Mountain” film,  but when I saw his character unfold and evolve, I challenged him to sing a song commensurate to his role in the movie and he nailed it! The upbeat foot-stomping song was produced by Aaron Carter and is available on all digital platforms.Catch Earnest in a city near you during his Spring promotional events.

Gotee Records announces Jess Loper as the new General Manager for the independent label. She will report to Joey Elwood, now the CEO of Bell Partners Christian Music, of which Gotee Records is the primary imprint in the new agreement announced earlier this month with Bell Partners.

Previously, Loper has held the position of VP of Brand Management (Gotee Records) and Publishing (Emack Music) as well as handled A&R for artists Jon Reddick, Hollyn, Aaron Cole, Joseph O’Brien, Charly Beathard, and RENEE, cultivated writer relationships for Emack writers Tyrus Morgan, Hunter Leath, Ben Shive, and Lindsey Sweat, assisted with film and TV placements (ESPN, Fox Sports, ABC, NBC & VH1) and handled administration for Man Cub Music (Bryan Fowler & Micah Kuiper).

“As a company, we’ve changed so much over the last 10 years, and our staff, I think, is pound for pound the best in the business because our job titles do not speak to the breadth of what each person does,” shares Joey Elwood. “Jess is an example of this incredible versatility as she has touched every facet of our business (Brand Management, Publishing, Label Services, and Operations) in her eight years at Gotee.

So, it’s with tremendous excitement that we want to announce her appointment to GM, and we see this transition for her as an inevitable step in her progress as a leader in our industry and at Gotee.”

Jess Loper began her career as an Editor with Business Wire in the newsroom, which services the Associated Press with press releases for publicly held companies. From there she took her love of words into the music industry in the A&R department at Capitol CMG/Universal Music. In this position, she was an integral part of the production process for CMG’s roster of artists (Amy Grant, Chris Tomlin, Kari Jobe, TobyMac, Passion/sixstepsrecords) while also working with business affairs, union negotiations, and film & TV licensing for the label.

In 2017, she joined the team at Gotee Records as VP of Brand Management (Gotee Records) and Publishing (Emack Music). Most recently, she launched Without Labels Collective, a company that focuses on music supervision and licensing for film & television (The Jesus Music Documentary, Trinity Broadcasting Networks, The Huckabee Show, Compassion International, and Thrive just to name a few).

This new venture is also focused on educating and supporting songwriters & artists on the business side of the creative process. She serves on the Board of the CMPA and works closely with the GMA Dove Awards. Her greatest role in life has been getting to be a mom to Brody (16) & Kellen (13). In the Spring of 2022, she married her favorite songwriter, Brent Loper, on the front porch of their little farmhouse in Culleoka, TN.

The Atlanta Braves will host a free Chris Tomlin postgame concert presented by Atlanta-area Chick-fil-A® restaurants on Saturday, July 5, at Truist Park following their game against the Baltimore Orioles.

Access to the postgame concert is free and included for fans with a game ticket. Special field pass ticket packages are now available at Braves.com/ChrisTomlin and include a game ticket and access to watch the postgame show from the Truist Park field.

Chris Tomlin is a GRAMMY® award-winning and eleven-time GRAMMY® nominee who has sold over 12 million albums worldwide with over 6.8 billion career global streams, received over 28 Dove Awards, and is a two-time BMI Songwriter of the Year honoree and ASCAP Songwriter of the Year.

Tomlin has landed 21 number-one singles, 30 Top Ten hits, and spent a combined 157 weeks at number one across his career. Additionally, Tomlin was named one of only four artists ever to receive the Sound Exchange Digital Radio Award for over 1 billion digital radio streams in 2016 and is the first Christian artist to reach Pandora’s billion streams threshold, ultimately earing him Pandora’s renowned BILLIONAIRE award.

Widely considered one of the most influential and successful Christian artists in history, Tomlin has sold out notable venues across major cities, including Madison Square Garden in New York City, Banc of California Stadium and Hollywood Bowl in Los Angeles, Bridgestone Arena in Nashville, Red Rocks in Denver, among others.

Tomlin partnered with Atlanta Pastor Louie Giglio in 1997 to create Passion Conferences. Atlanta held Passion Conferences’ largest conference to date, hosting over 55,000 young adults at Mercedes-Benz Stadium. For more information about Chris Tomlin, visit ChrisTomlin.com.