Five-time GRAMMY® Award-winning worship collective Maverick City Music, in partnership with Tribl Records, has officially released its highly anticipated title track and album, “Holy.” Delivering a monumental moment for the global worship community, the song features a deeply anticipated reunion with GRAMMY® winner Dante Bowe alongside powerhouse vocals from rising Nigerian gospel sensation Grace Idowu.
“Holy” is more than a standard release; it marks a significant full-circle moment of restoration, unity, and shared kingdom vision. Stripping away heavy production in favor of an intimate, atmospheric live recording, the song serves as a pure, unfiltered declaration of God’s uncompromised majesty. Moving from a gentle whisper to a thundering corporate cry, the anthem points listeners squarely back to the foundational purpose of creation: to live for the glory of Christ.
The track beautifully introduces the global church to Grace Idowu, a phenomenal worship leader born in Lagos, Nigeria. Her rich, soulful delivery perfectly intertwines with Dante Bowe’s distinct, emotive tone, creating a cross-continental tapestry of praise that feels both historic and timely.
Jonathan Jay, co-founder of Maverick City Music, shared the heart behind the reunion and song:
“There is a profound weight in the room when we look around and see what God is doing. ‘Holy’ is our collective altar. Having Dante back in this space with us, combined with the incredible, pure mantle that Grace Idowu carries all the way from Nigeria, feels like a divine alignment. This song reminds us that despite our earthly seasons, God’s holiness remains constant, and our response will always be to cast our crowns at His feet.”
Renowned vocalist Darwin Hobbs is making a highly anticipated return to music with the release of Set List Vol. 1 (HeartArt Music / Tyscot), his first album in 16 years. “It’s a grouping of songs that work well within a set list that any worship leader in the church can use,” he says.
The six-track, six-video digital album was produced by Hobbs alongside 20-year-old producer Jaden Baker (his grandmother is celebrated pastor Sheryl Brady) and millennial Rachel James. They bring a variety of influences and flavors to this sweeping set of elaborately orchestrated praise and worship songs that fuse the bigness of Elevation Worship with the dramatic heartiness of Shekinah Glory Ministry.
It opens with a beautiful instrumental entitled, “Overture” and then sets the atmosphere with a soulful cover of “Be Glorified,” a 1991 Ron Kenoly cut. “Ron Kenoly made it popular, and I always liked it and wanted to record it,” Hobbs says. “I’ve been singing it for 20 years. We spruced it up some and added a tag that I created.”
The live album was recorded at Elizabeth Baptist Church in Atlanta, Georgia. It’s a powerful suite of songs designed to lead congregations into heartfelt worship such as “I Command My Soul,” featuring the riveting vocals of Antavia Jackson; the triumphant congregational anthem “Hallelujah to the King,” co-written by Hobbs; and “Hallelujah (Praise Be to God).”
The album concludes with “All the Glory Is Yours,” written by Israel Houghton and featuring gospel powerhouse Latrice Pace, whose power and glory line from “The Lord’s Prayer” on the coda, provides a breathtaking climax to the recording. The project was captured before a passionate audience and has been divided into two separate album releases, beginning with Set List Vol. 1 which features six audio tracks and six music videos.
Worship Singer Darwin Hobbs of “He’s Able” Fame Releases First Album in 16 Years
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Although, he’s often called a worship leader, Hobbs rejects the concept. “I can’t lead worship,” he protests. “When we limit the idea of worship to music, we miss it. Worship isn’t just holding a microphone and singing songs. It’s how you live. I’m a song leader. I lead songs – not worship.”
In the past, Hobbs was hailed as the “Luther Vandross of Gospel” for his distinctive vocal tone but for the last decade, he’s been devoted to Sunday morning church music. Over the course of that decade, he’s been mentoring and training worship teams at prominent churches across the United States. He’s the Global Worship pastor for the New York-based Christian Cultural Center (CCC) fellowship that has campuses across the United States. “I oversee all of that for the church.”
Over the years, Hobbs’ signature hit, “He’s Able,” his duet “Nobody But Jesus” with Shirley Murdock and other songs have kept Hobbs’ voice on the minds and hearts of many. Now, Set List Vol. 1 promises to keep these songs on the hearts and minds of church music departments and congregations all over the world.
In a world where so much popular music dwells on heartbreak, anger, or despair, Elvira Kalnik’s “Summer Time” offers something refreshingly different: joy. While the song isn’t explicitly Christian, its message of gratitude, freedom, and embracing life’s blessings resonates with biblical principles that encourage believers to rejoice, live with childlike faith, and celebrate the goodness of God’s creation.
Originally released on her 2017 album Magical Child, “Summer Time” is built around an infectious electronic dance groove that immediately lifts the listener’s spirits. Bright synthesizers, upbeat rhythms, and Kalnik’s warm vocal performance create an atmosphere that feels like sunshine breaking through after a storm. The music itself encourages movement, but more importantly, it encourages perspective.
Kalnik has explained that the song was inspired by the idea that happiness is our natural state of being. Too often, she suggests, people become weighed down by regrets from the past or fears about the future. Instead of carrying emotional burdens, “Summer Time” invites listeners to experience the freedom found in living fully in the present.
Choosing Joy: Elvira Kalnik’s ‘Summer Time’ Celebrates the Gift of Living in the Moment
That sentiment echoes Jesus’ own teaching in Matthew 6:34: “Therefore do not worry about tomorrow, for tomorrow will worry about itself.” The song doesn’t ignore life’s challenges. Rather, it gently reminds listeners that dwelling on fear robs us of the joy available today.
The lyrics paint colorful images of “rainbow bubbles,” “sunshine kisses,” beach bonfires, and dancing until sunrise. References to unicorns and carefree celebration are clearly symbolic, representing imagination, innocence, and the willingness to experience life with open hearts. The repeated encouragement to “don’t be afraid being silly” speaks to something Christians sometimes forget—that there is freedom in humility and authenticity.
One of the most compelling aspects of the song is its celebration of childlike wonder. Scripture repeatedly reminds believers to approach God with the faith of a child. While Kalnik isn’t making a theological statement, her invitation to rediscover joy without fear of embarrassment reflects an attitude that values openness over self-consciousness.
Musically, “Summer Time” succeeds because it never overcomplicates its message. The chorus is instantly memorable:
“Summertime, let’s go party, party, Summertime, a fire on a beach… Enjoy yourself and feel free!”
The simplicity works. Sometimes the most meaningful truths are also the simplest. Life is a gift. Community is a blessing. Laughter is healthy. Celebration has value.
As Christians, we often speak about joy as something deeper than happiness—a fruit of the Spirit that remains even through difficult circumstances. While “Summer Time” doesn’t address faith directly, it points listeners toward attitudes that nurture joy rather than diminish it. Gratitude, freedom, presence, and choosing to release unnecessary emotional burdens are all practices that strengthen both emotional and spiritual health.
Elvira Kalnik has built a career exploring themes of healing, transformation, and emotional well-being through her music. “Summer Time” showcases those values through an upbeat, danceable lens that reminds listeners not to take themselves too seriously.
Ultimately, “Summer Time” is more than a seasonal dance anthem. It’s an invitation to appreciate the beauty surrounding us, to let go of unnecessary worry, and to embrace life with renewed gratitude. For Christian listeners, it serves as a timely reminder that joy is not simply a feeling—it is a gift to be received and shared.
Renowned gospel minister, Favour George, has released her latest worship single, “I AM,” a deeply spiritual and faith-stirring song birthed from a place of intimate fellowship and prayer with God.
“I AM” is more than a song; it is a testimony of God’s self-revelation. Inspired by personal encounters in the place of prayer, the song captures the many dimensions of God’s nature as He revealed Himself to Favour George—not only as the Great I AM, but as her Provider, Healer, Sustainer, and Ever-Present Help in times of need.
Speaking about the inspiration behind the song, Favour George shared:
“This song was birthed in the place of prayer, where God revealed Himself to me in a deeper way. He showed me who He is as my Provider, my Healer, my Sustainer, and my Ever-Present Help. ‘I AM’ is a reminder that whatever we need, God is. My prayer is that everyone who listens will encounter Him afresh and be strengthened in their faith.”
Drawing inspiration from God’s declaration in Scripture, “I AM THAT I AM” (Exodus 3:14), the song is a powerful reminder that God remains constant in every season of life. Whether facing uncertainty, sickness, lack, or life’s challenges, believers are encouraged to place their trust in the One whose nature never changes.
With heartfelt lyrics, rich worship expressions, and a powerful message of hope and assurance, “I AM” is poised to become a blessing to listeners around the world, leading many into a deeper understanding of God’s faithfulness and sufficiency.
As listeners engage with this powerful worship anthem, they will be reminded that God is still the answer to every question, the solution to every challenge, and the source of every provision.
I AM – Minister Favour George
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About Favour George
Favour George is a passionate gospel minister, worship leader, and songwriter committed to leading people into God’s presence through spirit-filled music. Her ministry continues to impact lives by communicating the love, power, and faithfulness of God through songs that inspire worship and strengthen believers.
Back in the early days of MTV, when music videos were introducing audiences to artists from every corner of the globe, the songs that lasted weren’t always the loudest or the flashiest. Often, they were the ones that connected on a human level. They spoke to something familiar. They reminded listeners they weren’t alone.
Alex Krawczyk’s new single, “When The Road Is Uneven,” taps into that same timeless quality.
At a moment when much of popular music seems obsessed with instant gratification and viral moments, Krawczyk takes a different approach. She slows things down, looks inward, and delivers a song that feels less like a performance and more like a conversation. It’s a thoughtful, beautifully crafted piece that celebrates resilience, compassion, and the healing power of music itself.
Alex Krawczyk Finds Strength in Simplicity on “When The Road Is Uneven”
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Written by Krawczyk and producer Robbie Roth, the song opens with a gentle acoustic guitar and a lyric that immediately establishes its emotional center: “I’ve got a song that I sing when I’m down, something to steady my soul.” It’s an honest admission and one that resonates instantly. Most listeners can relate to that feeling—the search for something familiar and comforting during life’s difficult moments.
What makes the song work so effectively is its refusal to overstate its message. Krawczyk isn’t offering grand solutions or pretending that life’s challenges can be easily overcome. Instead, she acknowledges that everyone carries burdens and that difficult stretches are simply part of the human experience.
The chorus captures that sentiment beautifully:
“When the road is uneven let the music renew your stride, and the rhythm take you home.”
It’s a lyric that feels both personal and universal. Whether interpreted literally or metaphorically, it reminds listeners that music has always served as a source of comfort, inspiration, and connection.
Krawczyk’s vocal performance is perfectly suited to the material. Her voice carries warmth and sincerity, and she delivers each line with a calm confidence that never feels forced. There’s an authenticity in her singing that can’t be manufactured. She sounds like someone sharing a lived experience rather than reciting a carefully constructed lyric.
Producer Robbie Roth deserves considerable credit for creating an arrangement that supports the song’s emotional core without overwhelming it. The production is polished but never slick. Every instrument serves the song.
The acoustic guitar provides the foundation, while subtle electric guitar textures from Tim Bovaconti and Caroline Marie Brooks add depth and atmosphere. Robbie Grunwald’s piano and keyboard work introduces warmth throughout the track, while bassist Devon Henderson and drummer Davide DiRenzo establish a steady, reassuring groove.
Particularly noteworthy are the background vocals from Caroline Marie Brooks, Julie Title, and Roth. Their harmonies elevate the chorus and reinforce the song’s message of community and support. The voices blend beautifully, creating moments that feel almost like a gathering of friends offering encouragement.
There’s also a lovely sense of balance throughout the recording. No instrument dominates. No vocal line competes for attention. Everything works together in service of the song’s larger purpose.
That sense of unity extends to the lyrics themselves. The song encourages listeners to practice kindness—not only toward others but toward themselves. In an era often defined by division and distraction, that message feels especially meaningful.
What stands out most about “When The Road Is Uneven” is its emotional generosity. Krawczyk doesn’t ask listeners to admire her struggles or marvel at her resilience. Instead, she creates space for listeners to reflect on their own journeys. The song becomes a shared experience rather than a personal statement.
That’s a rare accomplishment.
With “When The Road Is Uneven,” Alex Krawczyk continues to establish herself as an artist who values connection over spectacle and substance over trend-chasing. The result is a song that feels timeless, heartfelt, and deeply human.
Like the best songs from any era, it doesn’t simply entertain.
It stays with you.
And sometimes, that’s exactly what great music is supposed to do.
In a world where so much music is driven by conflict, heartbreak, anger, or self-indulgence, Billy Ray Rock’s latest single, “I’m Happy,” offers something refreshingly different: gratitude. While the song is not marketed as a Christian release, its message aligns with many biblical principles about joy, contentment, and choosing a positive outlook regardless of life’s circumstances.
From the opening moments, “I’m Happy” establishes an uplifting atmosphere. Built on a smooth R&B groove, the track combines infectious rhythms, catchy melodies, and an easygoing vocal delivery that immediately invites listeners into its celebration of life’s blessings. Billy Ray Rock, who wrote, produced, and performed the song himself, creates a musical environment that feels welcoming and sincere.
Finding Joy in the Everyday: Billy Ray Rock’s “I’m Happy” Celebrates Gratitude and Positive Living
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The song’s chorus is simple but effective:
“Because I’m happy… it’s something you should know ’cause I feel good, yo…”
That simplicity is part of its strength. Rather than presenting complicated philosophical ideas, Billy Ray Rock focuses on a straightforward truth: there is value in recognizing and appreciating the good things in life. As Christians, we are reminded in 1 Thessalonians 5:18 to “give thanks in all circumstances.” While “I’m Happy” never directly references Scripture, its spirit of gratitude echoes that principle.
The verses focus on everyday victories that many listeners can relate to—making it through difficult times, catching a break, paying the bills, leaving stress behind, and enjoying the present moment. These may seem like small things, but often it is the small blessings we overlook. Billy Ray Rock’s lyrics encourage listeners to pause and recognize those moments instead of constantly focusing on what is missing.
One of the strongest aspects of the song is its refusal to dwell on negativity. The artist acknowledges that challenges exist. Clouds may appear on the horizon. Stress and drama remain part of life. Yet he chooses not to allow those things to control his perspective. That message is particularly relevant in today’s culture, where negativity often dominates headlines, social media feeds, and entertainment.
From a Christian perspective, joy is not merely an emotional reaction to favorable circumstances. It is a choice rooted in faith and gratitude. While Billy Ray Rock approaches the subject from a secular viewpoint, listeners of faith may find themselves connecting with the same underlying principle: the decision to focus on blessings rather than burdens.
Musically, “I’m Happy” succeeds because it practices what it preaches. The production is bright and energetic without becoming overwhelming. The groove moves effortlessly, creating a sense of motion and freedom. The arrangement leaves room for the vocals to breathe while maintaining a danceable rhythm that encourages listeners to move along with the music.
Billy Ray Rock’s vocal performance complements the song perfectly. Rather than relying on flashy vocal runs or dramatic emotional displays, he delivers the lyrics with confidence and authenticity. His relaxed approach makes the song feel genuine. Listeners get the sense that he truly believes what he is singing.
In many ways, “I’m Happy” serves as a reminder that joy can be contagious. A positive attitude has the power to influence not only our own lives but also the people around us. Proverbs 17:22 tells us, “A cheerful heart is good medicine.” This song captures that idea beautifully, offering three minutes of encouragement in musical form.
While it may not be a worship song or a Christian radio single, “I’m Happy” promotes values that people of faith can appreciate: gratitude, perseverance, optimism, and finding reasons to celebrate life’s blessings. In a culture often consumed by complaint and division, Billy Ray Rock has delivered a welcome reminder that happiness, thankfulness, and hope still have a place in modern music.
For listeners seeking a positive soundtrack to their day, “I’m Happy” lives up to its title—and that is something worth celebrating.
In a culture that constantly demands more of us—more productivity, more attention, more noise—songs that invite listeners to slow down and breathe can feel like a gift. While ARGYRO’s latest single, “Cool Shades,” is not explicitly a Christian song, it contains themes that many believers may find surprisingly resonant: rest, refuge, peace, and the longing to escape the pressures of a weary world.
From its opening moments, “Cool Shades” creates an atmosphere of calm. Gentle rhythms, shimmering keyboards, and a relaxed vocal performance work together to transport the listener to a place of sunshine, water, and stillness. The imagery throughout the song—blue skies, cool shade, rolling waves, and golden sand—evokes a sense of sanctuary. It’s easy to hear the track simply as a carefree summer anthem, but beneath its polished surface lies a deeper emotional need: the desire for rest.
That desire is something Scripture speaks to repeatedly.
A Song of Rest in a Restless World: ARGYRO’s “Cool Shades”
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Throughout the Bible, God is portrayed as a refuge and shelter for His people. Psalm 121 reminds us that our help comes from the Lord, while Psalm 91 speaks of dwelling in the shadow of the Almighty. Even the title “Cool Shades” brings to mind the biblical imagery of protection from heat and burden. In a spiritual sense, shade represents relief from hardship and a place where one can recover strength.
Argiro’s lyrics are intentionally impressionistic rather than direct. Lines such as “Walkin’ on water” immediately catch the attention of Christian listeners because of their obvious biblical association. In the context of the song, the phrase appears more symbolic than theological, yet it still evokes a sense of moving beyond ordinary limitations. Christians may naturally connect that image with faith, trust, and the miraculous power of God.
The repeated refrain, “In the cool, cool shade / On a blue, blue day,” functions almost like a meditation. It slows the listener down. In a world dominated by anxiety and distraction, there is something valuable about art that encourages stillness. While the song points toward a physical paradise of beaches and sunshine, believers may hear an echo of the deeper peace that comes through faith.
Musically, “Cool Shades” is exceptionally well crafted. Argiro performs lead and backing vocals, keyboards, bass guitar, ukulele, drums, percussion, and programming, creating a cohesive sound that feels both professional and personal. Rather than overwhelming the listener with excessive production, the arrangement leaves room to breathe. The result is music that feels restorative rather than demanding.
The song also avoids much of the cynicism that has become common in contemporary popular music. There is no bitterness here, no anger, and no glorification of destructive behavior. Instead, the track focuses on beauty, connection, and appreciation of simple pleasures. For Christian listeners seeking uplifting music without necessarily listening exclusively to faith-based artists, “Cool Shades” offers an encouraging alternative.
Perhaps the most compelling aspect of the song from a Christian perspective is its recognition that people need places of refuge. The world is often exhausting. We carry burdens, worries, disappointments, and fears. While ultimate peace is found in Christ rather than in beaches, vacations, or perfect weather, songs like “Cool Shades” remind us of our God-given need for rest and renewal.
Jesus Himself invited the weary to come to Him and find rest. That promise remains far greater than any earthly escape. Yet music can sometimes point us toward truths we already know in our hearts. In its own understated way, “Cool Shades” celebrates the human longing for peace, beauty, and shelter.
For believers, that longing ultimately finds its fulfillment not beneath a beach umbrella or behind a pair of sunglasses, but in the presence of God. Still, ARGYRO has created a thoughtful and uplifting soundtrack for those moments when we need to pause, breathe deeply, and remember that rest itself is one of God’s gifts.
Provident Entertainment announces the signing of rising worship leader Charles Weems to its artist roster. Marking a major milestone in his growing ministry and music career, Weems releases his label debut single, “I Will Follow.”
Already generating strong momentum, “I Will Follow” amassed more than 5,000 pre-saves, an exceptional achievement for a developing artist in the worship genre and a testament to the growing anticipation surrounding Weems’ music and message. Co-written with Caylie Bryant and produced by Josh Holiday (ELEVATION RHYTHM), “I Will Follow” is a declaration of trust and surrender, reflecting a deeply personal season of learning to follow God faithfully and embrace His timing.
Provident Entertainment Welcomes Worship Leader Charles Weems To The Family
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Raised in the small coastal town of Vero Beach, Florida, Weems has always been rooted in the local church. Coming from generations of ministry, his great-grandparents helped start the family church, and today his father leads the congregation. Surrounded by worship, community, and legacy from an early age, Weems says his calling has never been centered on platform or recognition, but on serving the Church and leading people into the presence of God.
“Everything starts with the local church for me,” explains Charles Weems. “I’ve always believed my first calling is simply to serve and to be available to God and obedient wherever He leads. My prayer is that these songs help people encounter Jesus in a real and personal way.”
“Charles carries a rare combination of humility, authenticity, and deep spiritual conviction,” says Holly Zabka, President of Provident Entertainment. “From the moment we connected with him, it was clear his heart is to serve the Church first. We’re honored to partner with him and excited for people to experience these songs.”
Weems first gained widespread attention with his independently released 2024 worship anthem, “Slow Me Down,” which quickly went viral and has since amassed over 34 million lifetime streams. Written during a season of surrender and spiritual recalibration, the song resonated deeply with listeners navigating similar journeys of trusting God over ambition.
Describing his songwriting as “prayers in the form of melodies,” Weems continues to create music marked by humility, honesty, and Spirit-led worship. His partnership with Provident Entertainment signals a new chapter as he prepares to release more music that reflects his heart for ministry and authentic worship.
Lakewood Music and Worship Together have joined forces for the release of Thank The Lord (Worship Together Session), The project features fresh live recordings and accompanying video content designed to serve worship leaders and churches worldwide.
“We’ve loved collaborating with Worship Together on this project,” shares Lakewood Music. “It’s a privilege to partner with them and share these songs with local churches. Our prayer is that they would encourage and strengthen people wherever they’re sung.”
Lakewood Music & Worship Together Release ‘Thank The Lord’ (Worship Together Session) EP
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Worship Together’s Jessica Marion adds, “Worship Together Sessions exist to create accessible, simplified arrangements of worship songs in a unique and compelling format for Church. We had a lot of fun creating these new versions of some Lakewood Music favorites, and we hope they will bless worship leaders and teams everywhere!”
The new release follows a season of remarkable momentum for Lakewood Music. Their song “Inhabit” recently reached its highest streaming day ever, more than two years after its original release, and has climbed into the Top 500 songs on CCLI. The group is also preparing to release a new version of “Made You Well” featuring Tauren Wells on June 12.
Over the past year, Lakewood Music has continued to see substantial audience growth across platforms. The brand generated 33.8 million total streams in 2025, marking a 25 percent increase year-over-year. Monthly Spotify listeners have grown 49 percent, while the group’s Instagram following has increased 58 percent. On TikTok, Lakewood Music has seen 2.3 million sound views this year alone.
Earlier this year, Lakewood Music released its full-length album House of Worship, a collection of worship songs centered on gratitude, healing, and the enduring goodness of God. The project features standout tracks including “Rejoice Again,” “Abundance of Rain,” and “Made You Well.”
Faith-based folk pop singer/songwriter Kate Stanford has released her new single ‘Rise‘ to Christian radio in Christian AC and Christian Country formats. Written by Kate Stanford, Adam Baha, and Karin Simmons, and produced by Kevin Embleton, the song delivers a timely message of hope and peace in a culture overwhelmed by fear, division, and constant noise.
Kate Stanford Releases New Single ‘Rise
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Originally from Baton Rouge, Louisiana, Stanford began singing at just six years old and quickly developed a passion for using music to encourage others in their faith. After releasing her debut EP Bloom at age seventeen, her song “I’m a Believer” was featured on the soundtrack for Palau the Movie and played in theaters nationwide.
Now based in Nashville for the past three years, Stanford continues carving out her own lane in Christian music through heartfelt songwriting and transparent storytelling that consistently points listeners back to the love of Jesus.
“Rise” was born out of the emotional exhaustion many people feel from nonstop headlines, social media pressure, and the tension of modern culture. Rather than dwelling in hopelessness, the song redirects listeners toward the unchanging promises of God. Stanford captures that tension honestly in lines like, “I’ve been watching fear, it’s living on my screen,” while ultimately leading the listener toward reassurance and renewal through faith.
The chorus becomes the emotional centerpiece of the song as Stanford sings, “I see all Your promises, they’re painted in the sky. Your love is never changing, the dawn is always breaking.” Inspired by the certainty of the sunrise, “Rise” reminds listeners that even in uncertain times, God remains faithful and hope remains alive. The recurring phrase, “The sun will always rise,” serves as both a comforting image and a declaration of perseverance through Christ.
Stanford’s hopeful sound and authentic approach have already connected with audiences across the country. She has appeared at major festivals including Soulfest, SonRise, Lifest, and Kingdom Bound, while also opening on tour for artists such as Seph Schlueter and Jaci Velasquez. Through every performance and release, her mission remains the same: bringing light into dark places and reminding people they are never alone.
With “Rise,” Kate Stanford offers more than just a song. She delivers a reminder that even when the world feels heavy, there is still reason to lift your eyes, hold onto hope, and keep moving forward.
