Stars Go Dim was recently featured on the GRAMMYs‘ Positive Vibes Only where he talked about the freedom you’ll find when you “see yourself through Heaven’s eyes” in his inspiring rendition of “Live Like That.”
Grammy winning artist and America’s worship leader Chris Tomlin’s ‘Good Friday Nashville’ became the largest ticketed Christian concert at Bridgestone Arena for the third time with a sold-out attendance of 15,889 on Friday night. Earlier this month to accommodate demand, production modifications were made to add more seats for the record setting event. The annual event began in 2017 and has continued each year, including virtually through a worldwide stream during the pandemic in 2020 and 2021.
Continuing the annual tradition of welcoming surprise guests, Chris invited CMA Entertainer of The Year and Grammy award winner Lainey Wilson and chart topping CCM artist Cody Carnes to perform, along with previously announced speaker Duck Dynasty’s Willie Robertson and performers CCM powerhouse Kari Jobe, and Grammy-nominated Anne Wilson.
“All over the earth this past weekend the church gathered to remember the cross and to celebrate the hope of the resurrection… life over death” said Chris. “Thank you to everyone who joined us for Good Friday Nashville locally and to those who joined us digitally worldwide. Thank you to the large team who made this record breaking night happen.
To Anne Wilson, Kari Jobe, Lainey Wilson, Cody Carnes, and Willie Robertson thank YOU for giving your time and talents to make Good Friday Nashville an impactful night of worship and remembering. God was truly present.”
‘Good Friday Nashville’ continues its reign as the longest running annual charity related concert at Bridgestone Arena as each year proceeds have gone back to the community. The event continues to benefit the foster care and adoption crisis through ‘For Others’, a non-profit organization created by Tomlin and his wife Lauren. ‘For Others’ aims to be a voice for the vulnerable by living out their mission of raising awareness and empowering best-in-class organizations to end the child welfare crisis in America.
In preparation for the sold-out event, the release of a new album Live From Good Friday and a new book How Great is Our God: Living a Worship-Led Life in a Me-Driven World, Chris was the guest co-host on KLOVE Radio every morning last week, made an appearances on The Bobby Bones Show (iHeartRadio) and Apple Music’s Country Faith Radio with friends Tyler Hubbard and Ashley Gorley. Chris was also the first-ever artist to take-over Amazon’s Praise & Worship station.
During the concert, Chris announced tickets for ‘Good Friday Nashville’ 2025 were now available creating excitement from the concert goers resulting in more than 50% of the tickets selling over the weekend. To be part of this emotional and inspirational Easter experience next year, go to www.christomlin.com NOW for tickets.
‘Good Friday Nashville’ is promoted & produced by Awakening Events who have enjoyed a 19-year touring relationship with Chris and generously donate their time, energy, and resources to this concert each year. ‘Good Friday Nashville’ is presented by K-LOVE, Air1, The Fish and WAY-FM.
Terrian made her national television debut on Fox & Friends on March 30th in the studio. She performed as part of the Fox & Friends special series “Faith & Friends.” Since the release of her album, Terrian’s current radio single “Honestly, We Just Need Jesus” is already charting in the Top 20 on all five radio charts just four weeks after the official add date.
GRAMMY-nominated gospel singer Koryn Hawthorne visits Tamron Hall – she opens up about her mission to move people with her music, her recent engagement, and performs “Look at God” from her new album, On God.
Released on Good Friday 2024, “3 Days” by Lady Redneck operates within a well-trodden path of Christian pop/country music, tackling the foundational narrative of Christian faith—the crucifixion and resurrection of Jesus Christ—with a direct and emotionally charged lyrical approach.
The song aligns itself with the traditions of gospel music infused with contemporary Christian pop sensibilities, echoing the sentiments of hope, despair, and ultimate redemption through its narrative arc.
The song begins with a vivid depiction of the crucifixion, invoking powerful imagery with “precious drops of the sweetest blood drip down a Savior’s face.” This line, potent in its evocation of sacrifice, sets the tone for the narrative. The physical and spiritual turmoil of this moment is underscored by environmental upheaval, with mentions of Mother Earth striking and lightning striking, symbolizing the cosmic significance of the event.
As we move through the lyrics, the song delves into the emotional landscape of the three days following Christ’s death. It articulates a collective experience of “sorrow, despair, hopelessness, and fear,” capturing the depth of despair felt by Christ’s followers. This is a crucial aspect of the song, as it lays groundwork for the forthcoming triumph, enhancing the impact of the resurrection narrative.
The refrain, “Hosanna, he has risen,” serves as a jubilant counterpoint to the preceding despair, transforming the tone from one of mourning to celebration. This refrain is not only a declaration of faith but also a call to worship, encapsulating the core message of the Christian gospel.
The latter part of the song shifts focus from the historical event to its implications for the believer, stating, “Three days now resurrected for you and me / So we can be, so we too can be.” This personalizes the resurrection, suggesting a shared victory over death and an invitation to partake in the promise of eternal life. While the review focuses primarily on the lyrical content, it’s worth noting that the impact of “3 Days” is also significantly influenced by its musical composition and vocal delivery.
Lady Redneck’s approach likely blends the storytelling tradition of country music with the uplifting and accessible melodies of contemporary Christian pop, aiming to resonate emotionally with the listener while conveying its message. “3 Days” stands as a testament to Lady Redneck’s ability to convey profound theological themes through accessible lyrics and melodies.
The song’s direct approach to storytelling, combined with its emotional depth and spiritual fervor, allows it to serve as both a narrative of Christ’s resurrection and a vehicle for personal reflection and worship. While it may not break new ground in the genres of Christian pop or country music, its heartfelt delivery and clear message are likely to endear it to listeners seeking comfort and affirmation in their faith.
“I Feel So Good Today (Happy Mix)” by DPB emerges as a vibrant tapestry of positivity, faith, and resilience, pulsing with an infectious beat that mirrors the uplifting message woven through its lyrics.
DPB’s approach to crafting this track is deeply rooted in the tradition of feel-good, inspirational music, yet it is infused with modern hip-hop sensibilities and a clear spiritual message, setting it apart in the landscape of contemporary music.
The opening lines, “Welcome to the good life / Don’t you want to see what it be like,” serve as an invitation to the listener, advocating for a life filled with joy and freedom. This freedom, however, is attributed to a spiritual awakening or connection, specifically through seeking Christ, described metaphorically as “the tree of life.”
This sets the stage for the song’s blend of motivational speech and gospel-infused rap. The pre-chorus “gonna to get better now” transitions smoothly into a declaration of unshakeable happiness and resilience in the face of adversity. The chorus is catchy and straightforward, emphasizing a steadfast optimism (“I’m up when I’m down”) and the power of positivity to transcend daily challenges.
In the third verse, DPB incorporates elements of empowerment and self-improvement (“time to get in shape go ahead and weigh in”), further encouraging listeners to take charge of their lives while maintaining faith. The inclusion of culinary metaphor (“cooking this beat; im bobby flay’ing”) adds a playful touch to the otherwise earnest message.
The bridge expands the song’s reach beyond personal joy to a universal message of healing and hope. Phrases like “circle of life like a cheerio” and “got the healing for your physical” blend whimsical imagery with profound intentions, aiming to uplift and heal “every individual” on a spiritual level.
Musically, “I Feel So Good Today (Happy Mix)” aligns with DPB’s overarching style of integrating hip-hop with elements of gospel and motivational messages. The “Happy Mix” emphasizes an even more upbeat and danceable arrangement than its original version, designed to amplify the song’s feel-good message.
Thematically, this track is a testament to DPB’s commitment to spreading positivity and faith through music. It echoes the artist’s broader discography themes of overcoming adversity, embracing faith, and the pursuit of happiness.
Its universal message of hope, empowerment, and joy, coupled with catchy beats and memorable lyrics, positions it to resonate widely with listeners. Songs like this often find a place in motivational playlists and can become anthems for those seeking upliftment or a musical reminder of resilience and faith.
In the vein of artists like Kirk Franklin or Lecrae, who blend hip-hop with gospel and inspirational messages, DPB’s “I Feel So Good Today (Happy Mix)” stands as a beacon of positivity in a world often marred by negativity and despair. It’s a musical embodiment of looking towards the light, even in darkness, and finding reasons to smile, underscored by a deep-seated faith and a universal call to joy.
Belle Lundon’s “Space Cadet (Remix)” is a deeply introspective and sonically enriched experience, reflecting a journey through personal turmoil towards a hopeful resolution.
Lundon’s artistry, with her roots in the rich cultural backdrop of New Orleans and refined by her education at the California Institute of the Arts, shines through in this piece, melding emotional depth withmusical sophistication.
The recurring motif, “Feels like I’m drowning and can’t keep my head above,” vividly encapsulates a struggle with overwhelming challenges, a sentiment many listeners can resonate with. The admission of fallibility, “Yep I messed up too many times but I’m human,” serves as a raw, honest acknowledgment of imperfection, fostering a connection with the audience through shared human experience.
The plea, “grab my hands and lift me up,” repeated throughout the song, symbolizes a yearning
for support and salvation amidst life’s turbulent waters. This call for help, contrasted with the
vulnerability of drowning, highlights the dichotomy of human resilience and fragility.
The lines “You can give it up or don’t give it up / Finish up…mmmmmm, but you won’t take more
home than I do,” reflect a resolve to persevere and assert one’s place, despite the odds. The use of “Subliminal like haiku” suggests a preference for subtle, nuanced expression over overt declaration, hinting at the depth of Lundon’s lyrical creativity.
The inclusion of “Chrios” adds a layer of mystery and spirituality to the track, suggesting a call to
a higher power or deeper inner strength, underscoring the song’s theme of seeking guidance
and strength beyond the physical realm.
“Space Cadet (Remix)” signifies a notable evolution in Belle Lundon’s musical journey, intertwining her gospel roots with contemporary pop and electronic elements. The remix introduces a more dynamic, dance-oriented beat to the original’s introspective melody, amplifying its emotional impact while making it accessible to a broader audience.
Hitting #12 on the US iTunes Pop Songs chart is a testament to the song’s widespread appeal
and Lundon’s growing influence in the pop music scene. This accomplishment speaks volumes
about her ability to craft songs that resonate on a deep emotional level while keeping a finger on
the pulse of current musical trends.
Belle Lundon’s “Space Cadet (Remix)” is more than just a song; it’s a vivid narrative of struggle, hope, and human resilience. Through its lyrical depth and innovative sound, Lundon invites listeners into a personal journey, making “Space Cadet (Remix)” a standout track in her discography.
As she continues to navigate the music and film industries, her unique blend of talent, creativity, and authentic storytelling promises to captivate audiences and inspire fellow artists around the globe.
Sarantos’ latest single, “Starting Over,” emerges as an inspirational anthem encapsulating the essence of resilience, renewal, and the undying human spirit to rebound from setbacks. This track is a testament to Sarantos’ musical versatility and his innate ability to weave complex emotions into a rich tapestry of sound.
The song begins with a poignant reflection on life’s unpredictability and challenges, highlighting
that not every adverse event is a personal trial. This universality of struggle is further emphasized in the pre-chorus, where Sarantos touches upon the common human inclination to conceal vulnerabilities out of pride.
The call to “let it all go” serves as a cathartic release, urging listeners to embrace their imperfections.
The chorus of “Starting Over” serves as the heart of the song, delivering a powerful message of
hope and the possibility of new beginnings.
Sarantos reassures listeners that starting over is not an admission of failure but a courageous step towards a new chapter in life. This sentiment is underpinned by the personal touch, “Trust me, I’ve been there too,” adding a layer of authenticity and empathy to his words.
These verses delve deeper into the theme of overcoming fear to pursue one’s dreams. Sarantos
employs the metaphor of “living my fears” versus “living my dreams” to illustrate the transformative journey from being paralyzed by fear to finding liberation and a renewed sense of purpose.
The imagery of lifting one’s head out of the water symbolizes rebirth and the act of reclaiming control over one’s life. The outro reinforces the core message with the phrase, “This too shall pass.” It’s a reminder of the transient nature of hardships and the resilience inherent in the human condition, encouraging listeners to embrace the opportunity to start anew with optimism and strength.
“Starting Over” distinguishes itself through its multi-genre fusion, blending elements of pop, EDM, Latin, jazz, and classical music. This eclectic mix not only showcases Sarantos’ broad musical influences and technical prowess but also mirrors the song’s thematic richness and depth. Each genre shift within the track can be seen as a metaphor for life’s unpredictable twists and turns, ultimately harmonizing into a cohesive and compelling narrative of hope and rebirth.
With its uplifting message and innovative musical landscape, “Starting Over” is poised to resonate deeply with listeners navigating their paths through personal trials and seeking solace in the promise of new beginnings. Sarantos’ commitment to creativity and his ability to connect with the audience on a deeply personal level shine through in this track, cementing his status as a multifaceted artist unafraid to explore and express the complexities of the human experience.
“Starting Over” stands as a beacon of hope and a reminder that it’s never too late to redefine one’s journey, making it a significant addition to Sarantos’ discography and a potential anthem for those in search of inspiration amid life’s tumultuous seas.
“The Dazzling Kimberly,” Pete Miller’s latest single, presents a rich tapestry of narrative songwriting intertwined with a haunting melody that captivates the listener from the first note. Released as part of his debut album, “Live On Record,” this track continues to solidify Miller’s place in the music world, blending the raw emotion of Johnny Cash with the lyrical depth of Townsend Van Zandt.
The song weaves a compelling story of twins, conflict, and a mystical woman named Kimberly, who appears to be both a guiding and divisive figure. Miller crafts a narrative that delves into themes of rivalry, redemption, and the search for meaning beyond earthly conflicts, suggesting a complex relationship between the characters and their perceptions of love, loss, and reconciliation.
Miller’s lyrics are laced with allusions that might echo biblical tales, reminiscent of Jacob and
Esau’s story, exploring themes of birthright, betrayal, and ultimately, forgiveness.
The line “Just’cause you’re running doesn’t make you a knight…just ’cause I’m chasing doesn’t mean I’m
always right…” encapsulates the essence of introspection and the realization that actions and
intentions don’t always align with moral righteousness.
Kimberly, whether a ghost or a symbol of lost love, represents a pivot around which the twins’
conflict revolves and resolves. Her character serves as a mirror, reflecting the twins’ deepest
fears, desires, and the possibility of understanding beyond their feud.
The chorus, with its haunting plea, underscores the longing for reconciliation and the ephemeral nature of life and relationships. “The Dazzling Kimberly” stands out for its acoustic simplicity, which belies the complexity of its emotional and narrative depth.
Miller’s choice of instrumentation, focusing on soulful vocals and energetic guitar picking, supports the storytelling without overwhelming it, allowing the listener to focus on the lyrical journey. This musical backdrop creates an intimate atmosphere that draws listeners into the twins’ world and their interactions with the ethereal Kimberly.
Given Miller’s established fan base and the critical acclaim of “Live On Record,” “The Dazzling
Kimberly” is poised to be another significant milestone in his career. The song’s ability to blend
narrative depth with musical simplicity is likely to resonate with audiences seeking substance
and story in their music, further cementing Miller’s reputation as a storyteller of the highest
order.
“The Dazzling Kimberly” is a poignant exploration of human emotion, conflict, and the quest for
redemption, wrapped in the mantle of folk-rock simplicity. Pete Miller continues to prove himself
as a craftsman of songs that not only tell stories but also invite listeners to find pieces of their
own stories within his music. This track is not just a song but a journey, one that reflects Miller’s
profound understanding of the human spirit and its capacity for love, loss, and ultimately, hope.
“The Vice” by Luanne Hunt, from her 24th studio album “Miles & Memories,” is a compelling narrative that delves deep into the psyche of a gambler, exploring themes of addiction, loneliness, and the ephemeral nature of success.
Hunt, an acclaimed singer-songwriter with a rich history in the music industry, offers listeners a poignant look into the life of someone for whom gambling is not just a pastime but a way of life. The song, a blend of country and folk influences, showcases Hunt’s exceptional storytelling ability and her knack for capturing the essence of human experiences.
The protagonist of “The Vice” is a gambler who lives life on the edge, finding his paradise in the
roll of dice and the adrenaline rush of the gamble.
Hunt paints a vivid picture of a man who is both celebrated and cursed by his addiction, revered as the “king of clubs” in the glittering world of gambling cities like Vegas and Reno, yet haunted by a pervasive sense of isolation.
The recurring motif of gambling as a ‘high’ and a ‘rush’ reflects the addictive nature of the vice, suggesting that the gambler’s fleeting moments of triumph are overshadowed by a deeper,
unfulfilled longing for connection.
The lines “Gamblin’s his life so of course there’s no wife / But there have been plenty of flings” underscore the personal sacrifices made in pursuit of the next big win, revealing the hollow victories and transient relationships that define his existence.
Musically, “The Vice” aligns with the album’s ethos of blending traditional sounds with contemporary themes. Hunt’s choice to set the story against a minimalistic backdrop allows the narrative and her emotive vocals to take center stage, emphasizing the song’s introspective quality.
The musical arrangement likely complements the lyrical content, with folk and country elements highlighting the song’s exploration of personal and societal issues.
“The Vice” is an example of Luanne Hunt’s enduring talent and her ability to craft songs that resonate on a personal and universal level. The song’s exploration of the gambler’s psyche and the consequences of addiction contribute to a broader conversation about the search for meaning and the human condition.
As part of “Miles & Memories,” a project hailed for its authenticity and emotional depth, “The Vice” stands out as a poignant narrative that capturesthe complexity of human experiences. Hunt’s reputation as a storyteller and musician, coupled with her impressive career achievements, positions “The Vice” as a significant work within her discography.
The song’s reflective tone and thematic richness are likely to appeal to fans of modern country and folk
music, as well as listeners drawn to stories of struggle, redemption, and the pursuit of self-awareness.
In conclusion, “The Vice” by Luanne Hunt is a masterful exploration of addiction, isolation, and the pursuit of fleeting pleasures. Through her insightful lyrics and compelling musicality, Hunt
offers a window into the soul of a character whose life is defined by the thrill of the gamble, inviting listeners to reflect on the vices that shape our own lives and the search for something more enduring and meaningful.
