Released on Good Friday 2024, “3 Days” by Lady Redneck operates within a well-trodden path of Christian pop/country music, tackling the foundational narrative of Christian faith—the crucifixion and resurrection of Jesus Christ—with a direct and emotionally charged lyrical approach.

The song aligns itself with the traditions of gospel music infused with contemporary Christian pop sensibilities, echoing the sentiments of hope, despair, and ultimate redemption through its narrative arc.

The song begins with a vivid depiction of the crucifixion, invoking powerful imagery with “precious drops of the sweetest blood drip down a Savior’s face.” This line, potent in its evocation of sacrifice, sets the tone for the narrative. The physical and spiritual turmoil of this moment is underscored by environmental upheaval, with mentions of Mother Earth striking and lightning striking, symbolizing the cosmic significance of the event.

As we move through the lyrics, the song delves into the emotional landscape of the three days following Christ’s death. It articulates a collective experience of “sorrow, despair, hopelessness, and fear,” capturing the depth of despair felt by Christ’s followers. This is a crucial aspect of the song, as it lays groundwork for the forthcoming triumph, enhancing the impact of the resurrection narrative.

The refrain, “Hosanna, he has risen,” serves as a jubilant counterpoint to the preceding despair, transforming the tone from one of mourning to celebration. This refrain is not only a declaration of faith but also a call to worship, encapsulating the core message of the Christian gospel.

The latter part of the song shifts focus from the historical event to its implications for the believer, stating, “Three days now resurrected for you and me / So we can be, so we too can be.” This personalizes the resurrection, suggesting a shared victory over death and an invitation to partake in the promise of eternal life. While the review focuses primarily on the lyrical content, it’s worth noting that the impact of “3 Days” is also significantly influenced by its musical composition and vocal delivery.

Lady Redneck’s approach likely blends the storytelling tradition of country music with the uplifting and accessible melodies of contemporary Christian pop, aiming to resonate emotionally with the listener while conveying its message. “3 Days” stands as a testament to Lady Redneck’s ability to convey profound theological themes through accessible lyrics and melodies.

The song’s direct approach to storytelling, combined with its emotional depth and spiritual fervor, allows it to serve as both a narrative of Christ’s resurrection and a vehicle for personal reflection and worship. While it may not break new ground in the genres of Christian pop or country music, its heartfelt delivery and clear message are likely to endear it to listeners seeking comfort and affirmation in their faith.

“I Feel So Good Today (Happy Mix)” by DPB emerges as a vibrant tapestry of positivity, faith, and resilience, pulsing with an infectious beat that mirrors the uplifting message woven through its lyrics.

DPB’s approach to crafting this track is deeply rooted in the tradition of feel-good, inspirational music, yet it is infused with modern hip-hop sensibilities and a clear spiritual message, setting it apart in the landscape of contemporary music.

The opening lines, “Welcome to the good life / Don’t you want to see what it be like,” serve as an invitation to the listener, advocating for a life filled with joy and freedom. This freedom, however, is attributed to a spiritual awakening or connection, specifically through seeking Christ, described metaphorically as “the tree of life.”

This sets the stage for the song’s blend of motivational speech and gospel-infused rap. The pre-chorus “gonna to get better now” transitions smoothly into a declaration of unshakeable happiness and resilience in the face of adversity. The chorus is catchy and straightforward, emphasizing a steadfast optimism (“I’m up when I’m down”) and the power of positivity to transcend daily challenges.

In the third verse, DPB incorporates elements of empowerment and self-improvement (“time to get in shape go ahead and weigh in”), further encouraging listeners to take charge of their lives while maintaining faith. The inclusion of culinary metaphor (“cooking this beat; im bobby flay’ing”) adds a playful touch to the otherwise earnest message.

The bridge expands the song’s reach beyond personal joy to a universal message of healing and hope. Phrases like “circle of life like a cheerio” and “got the healing for your physical” blend whimsical imagery with profound intentions, aiming to uplift and heal “every individual” on a spiritual level.

Musically, “I Feel So Good Today (Happy Mix)” aligns with DPB’s overarching style of integrating hip-hop with elements of gospel and motivational messages. The “Happy Mix” emphasizes an even more upbeat and danceable arrangement than its original version, designed to amplify the song’s feel-good message.

Thematically, this track is a testament to DPB’s commitment to spreading positivity and faith through music. It echoes the artist’s broader discography themes of overcoming adversity, embracing faith, and the pursuit of happiness.

Its universal message of hope, empowerment, and joy, coupled with catchy beats and memorable lyrics, positions it to resonate widely with listeners. Songs like this often find a place in motivational playlists and can become anthems for those seeking upliftment or a musical reminder of resilience and faith.

In the vein of artists like Kirk Franklin or Lecrae, who blend hip-hop with gospel and inspirational messages, DPB’s “I Feel So Good Today (Happy Mix)” stands as a beacon of positivity in a world often marred by negativity and despair. It’s a musical embodiment of looking towards the light, even in darkness, and finding reasons to smile, underscored by a deep-seated faith and a universal call to joy.

Belle Lundon’s “Space Cadet (Remix)” is a deeply introspective and sonically enriched experience, reflecting a journey through personal turmoil towards a hopeful resolution.

Lundon’s artistry, with her roots in the rich cultural backdrop of New Orleans and refined by her education at the California Institute of the Arts, shines through in this piece, melding emotional depth withmusical sophistication.

The recurring motif, “Feels like I’m drowning and can’t keep my head above,” vividly encapsulates a struggle with overwhelming challenges, a sentiment many listeners can resonate with. The admission of fallibility, “Yep I messed up too many times but I’m human,” serves as a raw, honest acknowledgment of imperfection, fostering a connection with the audience through shared human experience.

The plea, “grab my hands and lift me up,” repeated throughout the song, symbolizes a yearning
for support and salvation amidst life’s turbulent waters. This call for help, contrasted with the
vulnerability of drowning, highlights the dichotomy of human resilience and fragility.

The lines “You can give it up or don’t give it up / Finish up…mmmmmm, but you won’t take more
home than I do,” reflect a resolve to persevere and assert one’s place, despite the odds. The use of “Subliminal like haiku” suggests a preference for subtle, nuanced expression over overt declaration, hinting at the depth of Lundon’s lyrical creativity.

The inclusion of “Chrios” adds a layer of mystery and spirituality to the track, suggesting a call to
a higher power or deeper inner strength, underscoring the song’s theme of seeking guidance
and strength beyond the physical realm.

“Space Cadet (Remix)” signifies a notable evolution in Belle Lundon’s musical journey, intertwining her gospel roots with contemporary pop and electronic elements. The remix introduces a more dynamic, dance-oriented beat to the original’s introspective melody, amplifying its emotional impact while making it accessible to a broader audience.

Hitting #12 on the US iTunes Pop Songs chart is a testament to the song’s widespread appeal
and Lundon’s growing influence in the pop music scene. This accomplishment speaks volumes
about her ability to craft songs that resonate on a deep emotional level while keeping a finger on
the pulse of current musical trends.

Belle Lundon’s “Space Cadet (Remix)” is more than just a song; it’s a vivid narrative of struggle, hope, and human resilience. Through its lyrical depth and innovative sound, Lundon invites listeners into a personal journey, making “Space Cadet (Remix)” a standout track in her discography.

As she continues to navigate the music and film industries, her unique blend of talent, creativity, and authentic storytelling promises to captivate audiences and inspire fellow artists around the globe.

Sarantos’ latest single, “Starting Over,” emerges as an inspirational anthem encapsulating the essence of resilience, renewal, and the undying human spirit to rebound from setbacks. This track is a testament to Sarantos’ musical versatility and his innate ability to weave complex emotions into a rich tapestry of sound.
The song begins with a poignant reflection on life’s unpredictability and challenges, highlighting
that not every adverse event is a personal trial. This universality of struggle is further emphasized in the pre-chorus, where Sarantos touches upon the common human inclination to conceal vulnerabilities out of pride.

The call to “let it all go” serves as a cathartic release, urging listeners to embrace their imperfections.
The chorus of “Starting Over” serves as the heart of the song, delivering a powerful message of
hope and the possibility of new beginnings.

Sarantos reassures listeners that starting over is not an admission of failure but a courageous step towards a new chapter in life. This sentiment is underpinned by the personal touch, “Trust me, I’ve been there too,” adding a layer of authenticity and empathy to his words.

These verses delve deeper into the theme of overcoming fear to pursue one’s dreams. Sarantos
employs the metaphor of “living my fears” versus “living my dreams” to illustrate the transformative journey from being paralyzed by fear to finding liberation and a renewed sense of purpose.

The imagery of lifting one’s head out of the water symbolizes rebirth and the act of reclaiming control over one’s life. The outro reinforces the core message with the phrase, “This too shall pass.” It’s a reminder of the transient nature of hardships and the resilience inherent in the human condition, encouraging listeners to embrace the opportunity to start anew with optimism and strength.

“Starting Over” distinguishes itself through its multi-genre fusion, blending elements of pop, EDM, Latin, jazz, and classical music. This eclectic mix not only showcases Sarantos’ broad musical influences and technical prowess but also mirrors the song’s thematic richness and depth. Each genre shift within the track can be seen as a metaphor for life’s unpredictable twists and turns, ultimately harmonizing into a cohesive and compelling narrative of hope and rebirth.

With its uplifting message and innovative musical landscape, “Starting Over” is poised to resonate deeply with listeners navigating their paths through personal trials and seeking solace in the promise of new beginnings. Sarantos’ commitment to creativity and his ability to connect with the audience on a deeply personal level shine through in this track, cementing his status as a multifaceted artist unafraid to explore and express the complexities of the human experience.

“Starting Over” stands as a beacon of hope and a reminder that it’s never too late to redefine one’s journey, making it a significant addition to Sarantos’ discography and a potential anthem for those in search of inspiration amid life’s tumultuous seas.

“The Dazzling Kimberly,” Pete Miller’s latest single, presents a rich tapestry of narrative songwriting intertwined with a haunting melody that captivates the listener from the first note. Released as part of his debut album, “Live On Record,” this track continues to solidify Miller’s place in the music world, blending the raw emotion of Johnny Cash with the lyrical depth of Townsend Van Zandt.

The song weaves a compelling story of twins, conflict, and a mystical woman named Kimberly, who appears to be both a guiding and divisive figure. Miller crafts a narrative that delves into themes of rivalry, redemption, and the search for meaning beyond earthly conflicts, suggesting a complex relationship between the characters and their perceptions of love, loss, and reconciliation.

Miller’s lyrics are laced with allusions that might echo biblical tales, reminiscent of Jacob and
Esau’s story, exploring themes of birthright, betrayal, and ultimately, forgiveness.

The line “Just’cause you’re running doesn’t make you a knight…just ’cause I’m chasing doesn’t mean I’m
always right…” encapsulates the essence of introspection and the realization that actions and
intentions don’t always align with moral righteousness.

Kimberly, whether a ghost or a symbol of lost love, represents a pivot around which the twins’
conflict revolves and resolves. Her character serves as a mirror, reflecting the twins’ deepest
fears, desires, and the possibility of understanding beyond their feud.

The chorus, with its haunting plea, underscores the longing for reconciliation and the ephemeral nature of life and relationships. “The Dazzling Kimberly” stands out for its acoustic simplicity, which belies the complexity of its emotional and narrative depth.

Miller’s choice of instrumentation, focusing on soulful vocals and energetic guitar picking, supports the storytelling without overwhelming it, allowing the listener to focus on the lyrical journey. This musical backdrop creates an intimate atmosphere that draws listeners into the twins’ world and their interactions with the ethereal Kimberly.

Given Miller’s established fan base and the critical acclaim of “Live On Record,” “The Dazzling
Kimberly” is poised to be another significant milestone in his career. The song’s ability to blend
narrative depth with musical simplicity is likely to resonate with audiences seeking substance
and story in their music, further cementing Miller’s reputation as a storyteller of the highest
order.

“The Dazzling Kimberly” is a poignant exploration of human emotion, conflict, and the quest for
redemption, wrapped in the mantle of folk-rock simplicity. Pete Miller continues to prove himself
as a craftsman of songs that not only tell stories but also invite listeners to find pieces of their

own stories within his music. This track is not just a song but a journey, one that reflects Miller’s
profound understanding of the human spirit and its capacity for love, loss, and ultimately, hope.

“The Vice” by Luanne Hunt, from her 24th studio album “Miles & Memories,” is a compelling narrative that delves deep into the psyche of a gambler, exploring themes of addiction, loneliness, and the ephemeral nature of success.

Hunt, an acclaimed singer-songwriter with a rich history in the music industry, offers listeners a poignant look into the life of someone for whom gambling is not just a pastime but a way of life. The song, a blend of country and folk influences, showcases Hunt’s exceptional storytelling ability and her knack for capturing the essence of human experiences.

The protagonist of “The Vice” is a gambler who lives life on the edge, finding his paradise in the
roll of dice and the adrenaline rush of the gamble.

Hunt paints a vivid picture of a man who is both celebrated and cursed by his addiction, revered as the “king of clubs” in the glittering world of gambling cities like Vegas and Reno, yet haunted by a pervasive sense of isolation.

The recurring motif of gambling as a ‘high’ and a ‘rush’ reflects the addictive nature of the vice, suggesting that the gambler’s fleeting moments of triumph are overshadowed by a deeper,
unfulfilled longing for connection.

The lines “Gamblin’s his life so of course there’s no wife / But there have been plenty of flings” underscore the personal sacrifices made in pursuit of the next big win, revealing the hollow victories and transient relationships that define his existence.

Musically, “The Vice” aligns with the album’s ethos of blending traditional sounds with contemporary themes. Hunt’s choice to set the story against a minimalistic backdrop allows the narrative and her emotive vocals to take center stage, emphasizing the song’s introspective quality.

The musical arrangement likely complements the lyrical content, with folk and country elements highlighting the song’s exploration of personal and societal issues.

“The Vice” is an example of Luanne Hunt’s enduring talent and her ability to craft songs that resonate on a personal and universal level. The song’s exploration of the gambler’s psyche and the consequences of addiction contribute to a broader conversation about the search for meaning and the human condition.

As part of “Miles & Memories,” a project hailed for its authenticity and emotional depth, “The Vice” stands out as a poignant narrative that capturesthe complexity of human experiences. Hunt’s reputation as a storyteller and musician, coupled with her impressive career achievements, positions “The Vice” as a significant work within her discography.

The song’s reflective tone and thematic richness are likely to appeal to fans of modern country and folk
music, as well as listeners drawn to stories of struggle, redemption, and the pursuit of self-awareness.

In conclusion, “The Vice” by Luanne Hunt is a masterful exploration of addiction, isolation, and the pursuit of fleeting pleasures. Through her insightful lyrics and compelling musicality, Hunt

offers a window into the soul of a character whose life is defined by the thrill of the gamble, inviting listeners to reflect on the vices that shape our own lives and the search for something more enduring and meaningful.

To rejoice this Easter season, Matthew West is set to take the stage at Fox & Friends to close out their Faith & Friends Concert Series with a performance of his latest single “Don’t Stop Praying” on Easter Sunday (3/31).

Fox & Friends Weekend airs from 6-10am EST, check your local listing. The track, which is a call-to-action, a charge, for believers around the world, is currently in the Top 15 on the AC monitored radio chart and Top 20 on the Billboard Hot Christian Songs chart. The West and Jeff Pardo penned tune is also spending its 11th consecutive week on the Top 200 Christian & Gospel On Demand Streaming Chart. To continue to serve as a powerful reminder to all, West also unveils his new “Don’t Stop Praying” mural at Nashville’s L&L Market – which he even helped paint.

“I’m very excited to be back on Fox to perform my new song! The response to ‘Don’t Stop Praying’ has blown me away and I can’t wait to share it on Easter Sunday,” shares West. “It’s always an honor to be able to share my faith and a message of encouragement on a national stage.”

Additionally, West released his sixth book, My Story, Your Glory on March 19 (K-LOVE Books). He wrote this 30-day devotional to help guide readers to discover how God’s love can rewrite our stories and explore how God’s glory redeems every chapter of our lives. With My Story, Your Glory, which was inspired by his hit song and No. 1 album of the same name, it is West’s goal to help readers reflect on the less-than-perfect parts of their lives and to point them to examples in Scripture and how God redeemed their stories while encouraging them to give God the glory in both the best days and worst days.

The 5x GRAMMY® nominee just wrapped the current leg of his DON’T STOP PRAYING 2024 TOUR with more dates to be announced soon. For upcoming dates and ticket information visit matthewwest.com/tour.

Dubbed by Billboard as “one of Christian music’s most prolific singer-songwriters,” West is going into 2024 after a strong trajectory in 2023. Highlights include being honored with ASCAP’s prestigious Golden Note Award, presented to songwriters, composers, and artists who have achieved extraordinary career milestones and releasing his double album – MY STORY YOUR GLORY.

He also celebrated another landmark success – he notched his 30th number one song as an artist-songwriter combined. 2024 also marks the 20th anniversary of his first #1 song “More,” from his debut album HAPPY. The inaugural track held the number one spot for 9 weeks – an impressive start to his now 20 years of radio accomplishments.

BMI (Broadcast Music, Inc.) celebrated the best in Gospel music today at the 2024 BMI Trailblazers of Gospel Music Awards held at Flourish in Atlanta, GA. Gospel legend and world-renowned evangelist Dorinda Clark-Cole, of the acclaimed Clarke sisters, was honored as a Trailblazer of Gospel Music in recognition of her illustrious career spanning over 50 years and incomparable influence on the genre and beyond, and Jonathan McReynolds received the BMI Champion Award, the first time this accolade was presented at this ceremony, for his exceptional artistry and impact on Gospel music. 

BMI’s Gospel Song of the Year, Songwriter of the Year, Publisher of the Year and the Top 25 Gospel Songs of the previous year were also announced at the private ceremony hosted by BMI’s President & CEO, Mike O’Neill and Vice President, Creative, Atlanta, Catherine Brewton.

The inspirational luncheon began with a celebration of music and joyful worship, with Tim Bowman, Jr., performing his BMI award-winning song “Jesus,” with Kim Burrell and Faith City Music, co-written with Le’Andria Johnson and VaShawn Mitchell. Zacardi Cortez brought the house down with his BMI award-winning song “You’ve Been Good to Me,” before moving to the event’s main honorees and award-winners.

As a Trailblazer of Gospel Music, Dorinda Clarke-Cole was saluted for her legendary career and contributions to the genre with several powerful tribute performances honoring her legacy. Crystal Aikin’s heartfelt voice kicked things off with “I’m Coming Out,” and Tasha Page-Lockhart brought the audience to their feet with a moving performance of “I’m Still Here.” 

Yolanda Adams followed with a magnetic rendition of “Take It Back,” with Lisa Knowles-Smith jumping in to help close out the performance, and Clark-Cole’s niece Kierra Sheard finished the amazing tribute with an uplifting version of “My Redeemer Liveth.” Upon receiving the afternoon’s highest honor, Clarke-Cole admitted to being “deeply humbled” and “extremely grateful.” She continued with advice for songwriters saying, “when you are at your lowest, that’s when God can get your greatest… keep writing, keep getting inspired by God because somebody is being blessed.”

After receiving the BMI Champion Award celebrating his outstanding success in Gospel music and beyond, Jonathan McReynolds thanked BMI’s Catherine Brewton and Wardell Malloy for all the love and support they have given him throughout his career. His tribute started with DOE giving a beautiful performance of “Grace” and she also joined Tyree Miller for a duet of “Cycles.” Darrel Walls followed with his resounding rendition of “Lovin’ Me,” and Jason Nelson shared his passionate version of “God Is Good,” which brought the audience to their feet.

Throughout the event, BMI saluted the Top 25 most-performed Gospel songs of the previous year, leading up to the highly anticipated BMI Gospel Song of the Year award, which went to “Kingdom” written by Kirk Franklin, Jonathan Jay, Chandler Moore and Jacob Poole. The song by Maverick City Music X Kirk Franklin debuted at #17 on the Billboard’s Hot Christian Songs chart, #6 on Billboard’s Hot Gospel Songs chart, and also received a 2023 GRAMMY Award for Best Gospel Performance/Song.

BMI’s Gospel Songwriter of the Year was a three-way tie between Kirk Franklin, Travis Greene and Tamela Mann for each writing two of the most performed Gospel songs of the previous year. Franklin was honored for “Bless Me” and the BMI Gospel Song of the Year “Kingdom,” Greene for “Finished” and “Tent Revival,” and Mann was also honored for “Finished” and “He Did It For Me.” BMI’s Gospel Publisher of the Year went to Essential Music Publishing, for the second year in a row.

Fans across the world can join GRAMMY-nominated, multi-platinum rock band NEEDTOBREATHE for their sold-out performance at Red Rocks Amphitheatre on Sunday, May 19th at 11pm ET—the show will stream live via premier streaming platform Veeps.

Insiders can purchase tickets for just $9.99. Tickets leading up to the event are $14.99 and Day of Show tickets are $19.99, with $1 from each ticket benefitting For Others. As part of their subscription, Veeps All Access members will be able to watch the show for free. All streaming tickets will include a 7-day rewatch window and are available via Veeps.com and through the Veeps app on Roku, Apple TV, iOS, and Android.

Known for their distinctive blend of modern rock, soulful melodies, and undeniable mainstream appeal, NEEDTOBREATHE has built a “massive live following” (Rolling Stone) in their storied two-decade career. The band is currently gearing up for a special performance at the CMT Awards on April 7 in Austin, TX, where they will perform for the first time with country hitmaker Jordan Davis.

Prior to the main event, fans will have the opportunity to attend a special taping of “CMT Crossroads” on April 5, where the band and Davis will perform together at the University of Texas Austin’s UT Tower.

Released last September, NEEDTOBREATHE’s acclaimed new album CAVES proves their genre-defying appeal, featuring a wide array of collaborations with country chart-toppers Carly Pearce and Old Dominion as well as Northern Irish singer-songwriter Foy Vance and alternative rock band and tourmates Judah & The Lion.

Hailed for their “stellar” (Paste Magazine) and “high-energy” (Music Row) live show, NEEDTOBREATHE will kick off the CAVES World Tour 2024 on April 25 in Charlotte, NC.

Catch NEEDTOBREATHE on the CAVES World Tour:
4/25 – Charlotte, NC – PNC Music Pavilion
4/26 – Raleigh, NC – Coastal Credit Union Music Park *
4/27 – Wilmington, NC – Riverfront Park – Live Oak Bank Pavilion *
4/28 – Jacksonville, FL – Daily’s Place *
4/30 – Brandon, MS – Brandon Amphitheater *
5/2 – Rogers, AR – Walmart Arkansas Music Pavilion *
5/3 – Little Rock, AR – First Security Amphitheater *
5/4 – Austin, TX – Moody Amphitheater *
5/7 – San Diego, CA – The Rady Shell at Jacobs Park *
5/8 – Concord, CA – Toyota Pavilion at Concord *
5/10 – Ridgefield, WA – RV Inn Style Resorts Amphitheater *
5/11 – Auburn, WA – White River Amphitheater *
5/12 – Spokane, WA – Northern Quest Resort & Casino – BECU Live *
5/14 – Nampa, ID – Ford Idaho Center Amphitheater *
5/15 – Bonner, MT – KettleHouse Amphitheater *
5/17 – Moorhead, MN – Bluestem Amphitheater *
5/18 – Lincoln, NE – Pinewood Bowl Amphitheater *
5/19 – Morrison, CO – Red Rocks Amphitheatre * (SOLD-OUT)
5/21 – St. Louis, MO – Saint Louis Music Park *
5/22 – Indianapolis, IN – Everwise Amphitheater at the White River

State Park *
5/24 – Huntsville, AL – Orion Amphitheater *
5/25 – Charleston, SC – Credit One Stadium *
5/26 – Virginia Beach, VA – Veterans United Home Loans Amphitheater *
5/28 – Chicago, IL – Huntington Bank Pavilion at Northerly Island *
5/29 – Detroit, MI – Michigan Lottery Amphitheatre at Freedom Hill *
5/31 – New York, NY – The Rooftop at Pier 17 *
6/1 – Cuyahoga Falls, OH – Blossom Music Center *
6/27 – Sioux City, IA – Battery Park
6/29 – Milwaukee, WI – American Family Insurance Amphitheater ^
7/19 – Beech Mountain, NC – Beech Mountain Resort Concert Series #
7/21 – Goshen, IN – Elkhart County 4H Fair
8/3 – Minneapolis, MN – Basilica Block Party
8/8-8/11 – Oro-Medonte, ON – Boots and Hearts Music Festival
8/12 – Des Moines, IA – Iowa State Fair +
8/26 – Palmer, AK – Alaska State Fair
9/11 – Amsterdam, Netherlands – Melkweg
9/12 – Amsterdam, Netherlands – Melkweg (SOLD-OUT)
9/13 – Berlin, Germany – Hole44
9/14 – Cologne, Germany – Die Kantine
9/17 – Manchester, UK – Manchester Academy 2
9/18 – Birmingham, UK – O2 Academy2
9/20 – London, UK – O2 Shepherd’s Bush Empire
9/22 – Glasgow, Scotland – SWG3 Galvanizers
9/23 – Belfast, UK – Ulster Hall
9/29 – Franklin, TN – Pilgrimage Music & Cultural Festival
10/5 – Ocean City, MD – Country Calling
* with Judah & The Lion
^ with Keith Urban and Lindsay Ell
# with Yola
+ with Brett Young

Hezekiah Walker has long been a beacon of light and hope in the bustling streets of East New York, Brooklyn. Born and raised in Fort Greene Housing Projects, Brooklyn is where Hezekiah Walker developed a love for Gospel music and a heart for people.  The renowned Gospel artist, multi-Grammy award winner, and Pastor of the Love Fellowship Tabernacle (LFT) has always believed in the transformative power of music and faith, and he has always had a desire to make a difference in his community – a difference that extended beyond the four walls of the church.

In 2011, Walker and LFT were preparing to build a 2,000-seat church on a property that he had purchased in 1998. While he was in prayer, however, he heard God telling him to not build a church but to build something that would benefit people in the community. Not long after, a developer called Walker about building affordable housing in the area and the project began to gain momentum. In 2013 Walker founded the Hezekiah Walker Community Development Corporation, a non-profit organization dedicated to uplifting the residents of East New York Brooklyn. A large part of the vision was to provide affordable housing for those in need.

11 years later, that vision is coming to fruition with the official groundbreaking for HezHouse Apartments, an affordable and supportive housing development by Hezekiah Walker & Love Fellowship Tabernacle, the Hezekiah Walker Community Development Corporation, Brooklyn Community Housing & Services, TT Development Group and Alembic Community Development. The groundbreaking will take place on Easter Sunday, which is the 30^th church anniversary of Love Fellowship Tabernacle.

“I really want to leave a legacy above and beyond music,” says Walker. “I want to be able to say to people and show people that Hezekiah Walker and the Love Fellowship Choir was not just out here singing for money and popularity, we were singing to invest in our community.”

HezHouse Apartments will bring 236 affordable housing units to the heart of East New York Brooklyn. Among the 236 units, there will be 63 studios, 72 one-bedroom units, 73 two-bedroom units, and 28 three-bedroom units, offering a variety of living spaces to accommodate families of all sizes. What sets this development apart is the inclusion of 142 supportive units specifically designed for individuals and families dealing with serious mental disorders or substance use disorders.  Of the 142 supportive units, 93 are designated as affordable units, ensuring that those in need have access to safe and stable housing.

Before long, the once vacant lot that was going to be the home of the Love Fellowship Tabernacle will be transformed into safe, comfortable homes for families who have struggled to find stable housing in New York City.

“I’m humbled and excited to finally break ground on HezHouse Apartments. We have worked hard and waited faithfully for this day to come. What better way to be the hands and feet of Jesus than to help ensure our neighbors have an affordable, safe and comfortable environment that they can call home,” says Walker.